we were there at the end of the light, watching the stars blink open wide like sleep-eyes. the dark a cloak of protection against the ugly world. ma il mondo è un bel posto
nobody feels the way i feel in this moment I find it pleasant to forget the feeling of a man, a touch on my dry skin- skin hanging from bone loose like silk pajamas. io sono io sono io sono
i milk each moment like bees on pollen in ruined orchards the honey isn’t sweet anymore. is is black tar that smells like nostalgia and the dust of abandonment, like summertime sex, sex and sadness and sun. non ho un cuore è vuoto è molto vuoto
if i can’t feel then i can’t love you anymore maybe if I amputate my heart the world will fall away. like the stars, I blink and blink until empty- the light is artificial and unmoving. non mi piace me stessa. non è importa.
if they find it, let them keep it there is no race, no ending, the beginning itself is unspecified. it’s not wrong to wish for something better and your hands aren’t warm anymore. per favore, vai.
Submit your original poetry to anna@theyoungeclectic.com to be featured! Poetry is very important to me, so I would love to take any chance I can get to share the work of other poets and creators!
If you’ve followed my website or Instagram for long, it is probably not surprising to hear that I am a big advocate for sustainability and recycling in fashion- practically half of my wardrobe is thrifted and thrifting is one of my favorite activities. Because of this, I have a bit of cognitive dissonance regarding the fashion industry. I love getting new clothes and seeing all of the creations that designers send down the runway, but I hate the impact that the industry has on the environment because people get new clothes every season and get rid of their other, perfectly good pieces just because they are suddenly no longer en vogue. Enough is enough!
Enter Ronald van der Kemp. His wasn’t a name I became familiar with until, like, last season and I was only drawn to it because Ronald isn’t a name that seems all that ~fashionable~ if you know what I mean. While I enjoyed his designs, they didn’t seem all that special or interesting, and they didn’t spark something in me, because I didn’t know the full story- Ronald van der Kemp is exactly the icon I’ve been looking for because he makes all of his couture creations using recycled and “second choice” materials- adding a layer of impressiveness that made me want to know the story of each and every piece.
This couture season, he created a wholly practical collection starring a plethora of sporty chic looks that will make every Cool Girl want to take note. A few of the most notable looks included an 80s-inspired color block tracksuit that is sure to spark interest in men and women alike, and a delightfully daring BDSM-esque belt bustier paired with a cape and some jeans.
I flipped through the collection before ever knowing about van der Kemp’s knack for transforming secondhand materials and I would have never guessed that this collection was made from the fashion industry’s scraps- including a wedding cape made from an old, embroidered bathtub covering and a floral dress made from leftover lampshade materials. It’s seriously inspiring to see him polish trash into this season’s treasure, even if a good amount of his looks channel a strong, kitschy, 80s vibe, which isn’t exactly everyone’s thing (but I can appreciate it!). It’s safe to say that he’s found a new fan.
Check out a few of my favorite sporty looks from the show below:
I think every woman must have, at some point during her life, imagined what her wedding might be like someday- a magical ceremony where, dressed in a luscious, gleaming white gown, you march down the aisle toward your forever-sweetie, who eagerly awaits to receive you, tears streaming down their face. This is your stereotypical vision of a wedding, and according to pretty much every facet of western pop culture, your wedding day is supposed to be one of the most blissful, special days of your entire life, which means people pour A TON of money into each little aspect of it- including the dress. I’m talking thousands of dollars here, just tossed at the nearest bridal boutique for a dress that will be worn exactly once (and maybe more if you have a daughter someday and they happen to want to wear your dress on their wedding day).
I used to have a very particular vision for how I wanted my wedding dress to look, which was something out of a fantasy- a ball gown of epic proportions that would make Cinderella swoon at the site of the dramatic, sweeping skirt. I imagined myself all wrapped up in a veil, carrying my flowers in front of me like a corpse in a coffin, all stiff-armed and painfully formal. And I might have been content with that, if I didn’t end up working in the bridal industry, working with bridal collections and staring at bridal dresses from different designers day in and day out- it’s ruined all of my bridal hopes and dreams.
All of this to say, if I have learned anything from my current position as an account manager at a company that creates websites that list products for bridal and prom retailers across the world, it’s that all wedding dresses look the same. I’ve become absolutely desensitized to all of the satin and tulle and lace and Mikado silk and beaded embroidery and floral appliques and mermaid silhouettes and A-line skirts and bateau necklines and illusion backs and and and… it’s so tiring, yet equally amazing to me that these designers can all repeatedly create the same overused styles each season and still sell so freaking many! And for so much money- the average bride will spend between $1,300 and $2,00 on the dress for her big day.
Here’s the deal- I made a decision after a straight year of basically injecting all things wedding dress straight into my veins on a daily basis, that for my wedding, I would avoid “wedding” dresses altogether. It just seems to me that since our culture has constructed this narrative around ~being a bride~, women are willing to shovel their cash into buying something just because it has the “wedding” label attached and they get to experience their own As-Seen-On-TV “Yes Moment.” Well, I’m not going to buy into it. Instead, since wedding dresses are so expensive anyways, I decided I’m going to indulge in my love of fashion and just buy a white dress from a designer I love. That way, instead of looking exactly like every other bride out there wearing a dress sanctioned by the bridal industry and marked up to match this arbitrary distinction, I’ll be wearing a unique, designer piece that allows me to show more of my personality. After all, isn’t that what your wedding should be about? Celebrating yourself and your partner and all of the things that made you fall in love with one another in the first place. No “wedding” dress required.
I briefly looked through a few of my favorite sites that carry luxury designer labels and chose my favorite white dresses that I think would work beautifully for any wedding (trust me, I’m an expert!). Check out my picks below:
it is my hunger, my way if i could shed every inch of dirty skin, I would be a small pink pearl of new, baby flesh ready, ready to be eaten alive and flayed by the dark world surrounding
this clam snaps shut in the cold waters, tide rising i am a molecule, i shiver it isn’t that i wish to be alone, i just wish not to be invaded
keep my face alive in you, make a necklace of my life labors, my pearls adorning your sallow skin like bones, a violent trophy
Submit your original poetry to anna@theyoungeclectic.com to be featured! Poetry is very important to me, so I would love to take any chance I can get to share the work of other poets and creators!
If you dug deep enough into any fashion lover’s past you would probably find the one designer that started them on the path to total fashion addiction. Maybe they don’t even realize who it is right away, but if you ask me, I can give a definitive answer almost immediately- Alexander McQueen.
I didn’t always stay up to ungodly hours in the morning clicking through runway show after runway show, saving my favorite looks for inspiration. I also didn’t always voraciously tear through any fashion magazine I could get, looking for material to create elaborate collages to memorialize my favorite trends, models, brands, and editorial photo shoots. I didn’t always construct elaborate fantasies and compelling characters from the simple combination of garments.
I used to just be in love with the idea of clothes and putting them together in ways that made me look good, but everything changed when I discovered McQueen. I started to love the idea of clothing and fashion as an art form, the idea that entire stories can be weaved into every fiber of a piece of clothing. Because of McQueen, the entire world of fashion opened up to me and my mere interest in looking good for school transformed into what I want to spend my life doing.
In my honest and obviously biased opinion, Alexander McQueen is one of the greatest designers of this generation because he went beyond the purpose of fashion, to sell clothing, and made his shows into art exhibitions and works of living, breathing poetry.
As Jaden Trahan, my boyfriend and also an avid fan of McQueen, states, “Alexander McQueen was never like ‘I’m going to sell so many of these dresses made entirely of flowers.’ No. He wanted to bare his soul in that one dress.”
I think what I’ve always loved the most about McQueen’s clothing and his shows is the fact that they tell stories. Each piece sent down the runway clearly has a character in mind and I can’t help but feel transported into a world of fantasy when viewing everything.
“It’s pretty much an objective fact that [McQueen’s] pieces are art,” Jaden said. “His pieces transcend generations and trends. A hundred years from now, people will still think it’s beautiful and that it’s art.”
Jaden and I aren’t the only ones to think that McQueen’s work functioned as art, as many of his works were displayed in an exhibition entitled “Savage Beauty” at the Metropolitan Museum of Art in New York City in 2011.
Of course, being the obsessed fangirl that I am, I HAD to have the book from the exhibition, which Jaden so graciously gifted me. I spent hours flipping through the pages, crying tears of absolute disbelief at how this man transformed fashion from simply the clothes you buy and wear, into masterpieces that held so much meaning. I eagerly showed each image to Jaden, who became an avid McQueen fan overnight.
I was devastated to find out that in 2010, McQueen took his own life. Although he has passed away, his influence and legacy still live on. Sarah Burton, a designer that worked closely with McQueen throughout his career, took on the role of the new head designer and creative director of his line. Throughout the past five years, she has kept the same fantastical romanticism that was present in all of McQueen’s work.
Lee Alexander McQueen and his surviving brand will always hold a spot in my heart as the catalyst that started me on this incredible journey into a passion that I hope to carry for the rest of my life.
I recommend that anyone and everyone should discover some of his work and truly appreciate it as art and not just clothing to be mass produced and marketed the world over. Clothing isn’t just for the practical purpose of wearing- it can be art that tells a compelling story in a way that no other media could, and it’s important to me to help others learn that- so much that it’s one of the central purposes of this site.
Thank you, McQueen- I don’t know what I would do without your gorgeous creations. Rest easy.
Just when I thought I was finally catching up on all of the shows I have yet to see, couture season begins. Gosh darn you, fashion industry! The cycle never ends! But I freaking LOVE couture, because- in my humble opinion- couture is really where fashion shines. It’s not the practical stuff that someone might reasonably wear on a day-to-day basis. It’s the fun stuff that often leaves people not as keen on the art of fashion scratching their heads and asking “who would ever wear that?” (a sentiment that never fails to make me roll my eyes an entire 360 degrees). So here is the first of the couture collection I’ll be covering this season- Schiaparelli Spring 2019.
Usually, I choose the collections I would like to cover based on photos I have already seen of the collection, and while the first look in the collection did appeal to my whimsical sensibilities, what really hooked me was the Vogue review (yes I read these!) which included the quote from Elsa Schiaparelli that the collection was inspired by, and it was so dreamy and sweet, I fell in love with the collection before even seeing the rest of the finely-crafted looks.
Lamenting on how plain she thought she looked as a child, Elsa Schiaparelli had the imaginative idea to plant flowers in her ears and said:
So, the collection was inspired by childhood wonder and the magic of nostalgia that makes us long for the days of fairy tales and imaginary friends- displayed in a gorgeous arrangement of dresses fashioned in vibrant colors and embellished with constellations and lush gardens of romantic florals. Everything was soft-edged and fluffy, much like the world of a child should be- adorned in feathers and rendered in rounded silhouettes that accentuate the natural waistline and the curve of the hip.
One of my favorite looks is a matching blazer and shorts combo that features a precious cloud print that looks like it would be at home painted on a the wall of a nursery- perfectly sweet. Another detail I found strangely appealing was the addition of star-spangled cowboy boots that added the right amount of quirk, and almost evoked how a young girl might look if she put her daddy’s boots on.
And, as if to bring home the collection’s childhood sense of freshness and innocence, the final look was worn by an eight-months-pregnant Erin O’Connor, who looked absolutely stunning in the over-the-top, layered tulle dress. I love it, all of it.
Sometimes life isn’t as fun as we would like it to be. That’s just a fact that we all have to face on a pretty regular basis. And it seems like more and more, people suffer from bouts of existential dread and depression- both of which I am no stranger to. And while depression is not something that can simply be cured in an instant (can it even be cured?), there are some things that can help to uplift your spirits and make you feel just a little bit better than before. For me, one of those things is a really cute and comfortable dress, which inspired me in this latest editorial shoot.
Each dress I chose in this shoot is cute, vibrant and comfortable, ensuring maximum joy while wearing them. I even paired them with a comfortable pair of sneakers for a more casual, effortless look- because sometimes when you’re feeling down, it can be hard to do the most simple things, even put on fresh clothes and get out the door. So these outfits not only look fashionable and like you ~care~, they’re also super easy to wear!
Check out my looks below:
Short & Sweet
This adorable denim dress is super short and fun! I love the exaggerated shoulders and loose sleeves! I layered it over a happy, yellow, striped mock neck top and paired it with a super-soft, sleeveless sweater for extra comfort. Some fun, floral sneakers finish off the sweet look.
Dress from Zara, Sweater from Lauren Conrad, Mock Neck Top from Forever21 and Sneakers from Adidas.
Layers of Sun
Yellow is definitely one of the happiest colors that manages to lift my mood anytime I wear it, which is why I absolutely adore this long, sunny, yellow dress! It’s a light, linen material making it a great sundress, but I’ve layered a long-sleeved, ruffled top and a vintage, thrifted, satin scarf to bring it into winter. My favorite pair of platform sneakers is the cherry on top!
Dress from Urban Outfitters, Top from H&M, Scarf is vintage thifted, and Platform Sneakers from Converse.
Positively Pastel
I absolutely adore pastels and soft shades, so of course this long, flowing dress with pastel pink stripes would make it into this editorial! I added a bit more detail to the dress with a lacy, collar necklace, while a fuzzy pink sweatshirt and some minty, green New Balances make this look even sweeter (and super cozy!).
Dress is thrifted from Goodwill, Sweatshirt from PacSun, Necklace from Forever21, and Sneakers from New Balance.
I hope I’ve inspired you to find happiness and small moments of joy in even the simplest and littlest details of your day! Stay tuned for more editorials in the near future!
I am peeling myself open for you my bones are sun-bleached and even stained with bootblack blood and all my own heart’s illness
I don’t think it’s possible for you to inhabit this space any more than I have ached to find the way out of it and my voice echoes, long and empty there
you all have found it with your spotlight fingers touched every inch of my quivering red broken every single cell down into meaty chunks for snacking
you think I belong there, between lines and stanzas but I free myself with them
there is never more truth than when I have finished here
there is nothing more to it than that consumption -is all I’ve ever wanted
please, we’ll find it together we’ll rebuild my body we’ll move forward into dawn
Submit your original poetry to anna@theyoungeclectic.com to be featured! Poetry is very important to me, so I would love to take any chance I can get to share the work of other poets and creators!
Prada’s latest show, a Fall 2019 collection which combined men’s and women’s wear, was meant to be- above all- romantic. And while one usually pictures light shades and floaty silhouettes at the mention of romance, this collection presented us with a pack of alienated monsters decked out in dark, structural looks with bondage-like wrap belts, strong shoulders, and hardware-inspired heart necklaces. And while some looks featured a cute and kitschy heart safety-pinned to the chests of our walking monsters, the show hardly referenced styles that most would consider “romantic.” But the true romance came from within, in the understanding of the deeper, more complex aspects of the human emotion.
These monsters really represented men and women struggling to carve a space for themselves in a world that often feels like a monstrous mess- this tougher side of reality was realized in the strong military inspiration, which included structured jackets, heavy shoes and utility pockets galore. The somber coloring of the main pieces of the show also nodded to the solemnity of the modern political climate, while also making for some highly practical work wear looks.
And while the collection did nod to the darker emotions in the human repertoire, it was also surprisingly whimsical, playing up the Frankenstein inspiration with vibrant prints that featured florals, dismembered hands and Frankenstein’s monster himself. Other playful details included fuzzy winter hats in various shades, matching fuzzy shoulders, thick-rimmed glasses, and comfy-looking sweaters worn on top of blazers for a refreshing look.
This collection definitely stood out with its unique inspiration and combined structured, serious, military garb with funky monster-ific details to fabulous effect. And with all of the different ways these looks were layered, it leaves a ton of room for Prada-lovers everywhere to create their own terribly terrific monsters with a ton of heart.
I’ll be honest with you, I didn’t have high expectations for ‘Killing Eve’ when I lazily clicked into it on Hulu one night after entering the “show hole” yet again when I finished a different television series. There was just so much hype surrounding it and I don’t usually indulge in shows that EVERYONE likes, because shows like ‘The Bachelor’ and ‘Big Bang Theory’ are among the most popular on television and well… you know… they’re not the most quality programs you could be wasting your time on. So forgive me for being a little skeptical of a show I’ve heard nothing but good things about. All of this to say that I thoroughly enjoyed it, even if I’m not one to enjoy “espionage” or action shows- there was so much about this show that broke it out of the norm that it kept me watching (I finished the 10- episode first season in about three days).
The first thing I could go on and on about is the fact that the main cast of the show is almost entirely women. Just let that sink in. In a society where most forms of media are about men, this in and of itself was a reason the show intrigued me in the first place. And the show wasn’t in-your-face about it, and didn’t try too hard to make it a statement. The characters were just women, and that was that. No fanfare required, even if they were powerful, intelligent badasses that deserve the attention.
My boyfriend Jaden, who I easily convinced to join me in watching the show (he enjoys a good cat and mouse storyline) had a similar opinion.
” I’m not one who usually cares about the demographic breakdown of characters in media, and often find myself rolling my eyes at the so-often shoehorned female characters in action movies, but ‘Killing Eve’ actually does it right. This show does a great job of not being in your face about the fact that strong women make up most of the main cast, and actually treats them as regular characters in a thriller, only mentioning their sex when it would realistically be necessary,” he said.
Eve, played by a magnificent Sandra Oh, and Villanelle, an equally magnificent Jodie Comer, have such a great dynamic, that I was never bored with the plotline. Villanelle is a ruthless, psychopathic assassin obsessed with Eve, and Eve is a British intelligence officer equally obsessed with Villanelle, a relationship that culminates in an entirely surprising, yet strangely satisfying interaction in the season finale- one that leaves me eagerly awaiting the next installment.
A few other points that make the show so damn irresistible are that many of the characters are queer (Villanelle is openly bisexual), something we don’t see a lot of, and the action sequences are actually realistic (wait so there aren’t chase scenes where people easily scale buildings and blow up cars by merely shooting at them? Is it even an action show??).
“… the action is never over the top or unrealistic. The attention to realism in the action, as well as the development of the main characters, gives me hope for the future of female actors portraying more traditionally masculine roles,” Jaden remarked on the action in the show.
And the fashion, you guys. Villanelle is such a flamboyant dresser, and I enjoyed all of the looks she created. I could write an entire article about the outfits in this show and how they communicate the emotional state of the characters at the time, or even just a reflection on how good the wardrobe in this show really was, but this is something that has already been written about at length (like in this article, and this one). But the scene where she wears the oversized, bright pink Molly Goddard dress is definitely iconic and is going into my ever-growing pool of potential Halloween costume ideas.
Needless to say, I am highly anticipating the next season, and can’t wait to see where Eve and Villanelle’s life and death game of cat and mouse will take them next. In Jaden’s words:
” At the end of the day, ‘Killing Eve’ is an excellent show, and anyone with an affinity for spy/assassin thrillers with characters that are actually down to Earth and fun to watch should check it out. I’m eagerly awaiting season two.”
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