The Chanel Pre-Fall 2019, Métiers d’Art show was a momentous event that transported viewers back to ancient Egypt with a catwalk that appropriately took place at the Metropolitan Museum of Art’s Temple of Dendur exhibit. Models slunk across the runway shimmering in all manner of gold and adorned in accessories that nodded to ancient Egyptian culture (see scarab beetles galore, pyramid-shaped purses, round hats and elaborate collars.)
While the clothing certainly looked striking on screen, the pieces are best appreciated up close, as to observe the great amount of handmade detail that went into them. The gold-woven tweeds were made with tulle, sequin and metallic ribbon, while some gauzy gold materials are an elaborate mesh of tiny golden beads and each knit is encrusted with shimmering paillettes to imitate ancient Egyptian jewelry. Each look in the collection is an impressive work of art that deserves appreciation.
While ancient Egypt has had its influence in popular culture throughout the past century, this collection has brought many interesting aspects of Egyptian style back into the limelight, including skirts with a slight rise in the front in imitation of the Egyptian kilt-style wrap skirts. One of the styling choices that interested me the most was the layering of the classic Chanel tweed suits over the ankle-length wispy, white skirts that nodded back to the styles worn by Cleopatra and her women.
The collection also managed to meld aspects of 1980s NYC (Chanel’s showing in New York was a first for the brand)- with wide, sweeping shoulders, oversized blazers and loud prints that echo back to those popular in the ’80s, which were also a celebration of graffiti art.
While this collection was a triumph of artistic endeavor and luxurious craftsmanship, it didn’t pique my interest aesthetically. Although the liquid-y, gold tights were gorgeous, I’m not the biggest fan of gold in fashion, as I believe it can easily look cheap, tawdry and make any well-meaning outfit look like a costume. I do believe some of the gold details in this collection cheapened the looks, but perhaps that is because I didn’t experience the show in-person and was not able to see the work put into each piece. Pictures can only show so much!
Overall, I do think it was a success. Fashion should transport and delight the senses, just like any other art form- and even if this collection doesn’t interest me on a personal level, I appreciate what it has done in bringing ancient Egypt back to life.
Check out some of my favorite looks from the collection below:
All images found on Vogue.com
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