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While May leers at us from around the corner, we Texans and other citizens of the American south are beginning to get the first hints of summer, with temperatures already reaching into the high 80s. And while I loath to admit that our mild days are, for the most part, on the outs, I’ve already begun shaping my vision of the perfect summer in my mind.

Others may consider free time spent on exotic vacations, lounging on bright beaches in their perfect bikini body to be their dream summer, but my fantasies don’t extend the confines of my own skull. I’m talking about attitude, perspective, peace of mind. I’m talking about learning how to float on top of the waves and just not care so much. I’m talking about just having fun for once gosh darn it. And the refreshing, lighthearted Chanel Spring 2019 collection helped to solidify my goals of just chilling the heck out this summer.

yellow tweed skirt suit from chanel spring summer 2019 fashion runway show
Some of my favorite looks from the Chanel Spring 2019 collection emulated the warmth and joy of soft sunshine with their bright, yellow shades. (Photo: Vogue.com)

One of Karl Lagerfeld’s last collections, the Chanel Spring 2019 show perfectly exemplified the youthful energy that Lagerfeld sought to imbue into all of his collections with its pastel palette and playful, oversized silhouettes. The fact that models walked barefoot across a fabricated beach (complete with waves) speaks to the amount of commitment Lagerfeld had for creating fun collections that served no higher purpose other than to delight, and the oversized ’80s-esque silhouettes further demonstrated this sense of carefree wonder by emulating the spontaneous joy of a young girl (or boy!) playing dress up in their mother’s most glamorous attire.

The whole collection spoke to some deep and underutilized part of my heart that yearns for the days of languid, childhood summers where the only thing you had to worry about was how many days there were left until school started again. Just a small dose of that effortless, carefree state of mind would do me wonders- which is why I’m making it my goal this summer to fabricate my own vacation of the mind, to escape the stresses and anxiety of my adult life.

Anyways- some of the best aspects of this beachy Chanel collection are the ones where Lagerfeld plays with your expectations by adding childlike elements to proper pieces, like pairing slick bike shorts with a prim sweater, or splitting the legs of a tweed jumpsuit to give it summery flow. Some of my favorite looks from the collection were rendered in a punchy yellow that immediately drew the eye and, again, transported me back to happy summers that I wished would never end.

Here’s to hoping that my summer will be as nice as the feeling of walking barefoot on a (synthetic) beach.

Check out some of my favorite looks from the collection below:

All photos from Vogue.com

The Chanel Pre-Fall 2019, Métiers d’Art show was a momentous event that transported viewers back to ancient Egypt with a catwalk that appropriately took place at the Metropolitan Museum of Art’s Temple of Dendur exhibit. Models slunk across the runway shimmering in all manner of gold and adorned in accessories that nodded to ancient Egyptian culture (see scarab beetles galore, pyramid-shaped purses, round hats and elaborate collars.)

chanel pre-fall 2019 métiers d’art fashion runway egypt style
A shendyt-inspired skirt and  large, sweeping collar/shoulder silhouette gave this classic Chanel Tweed suit an Egyptian twist. Plus those gold tights- wow! (Photo: Vogue.com)

While the clothing certainly looked striking on screen, the pieces are best appreciated up close, as to observe the great amount of handmade detail that went into them. The gold-woven tweeds were made with tulle, sequin and metallic ribbon, while some gauzy gold materials are an elaborate mesh of tiny golden beads and each knit is encrusted with shimmering paillettes to imitate ancient Egyptian jewelry. Each look in the collection is an impressive work of art that deserves appreciation. 

While ancient Egypt has had its influence in popular culture throughout the past century, this collection has brought many interesting aspects of Egyptian style back into the limelight, including skirts with a slight rise in the front in imitation of the Egyptian kilt-style wrap skirts. One of the styling choices that interested me the most was the layering of the classic Chanel tweed suits over the ankle-length wispy, white skirts that nodded back to the styles worn by Cleopatra and her women. 

The collection also managed to meld aspects of 1980s NYC (Chanel’s showing in New York was a first for the brand)- with wide, sweeping shoulders, oversized blazers and loud prints that echo back to those popular in the ’80s, which were also a celebration of graffiti art. 

While this collection was a triumph of artistic endeavor and luxurious craftsmanship, it didn’t pique my interest aesthetically. Although the liquid-y, gold tights were gorgeous, I’m not the biggest fan of gold in fashion, as I believe it can easily look cheap, tawdry and make any well-meaning outfit look like a costume. I do believe some of the gold details in this collection cheapened the looks, but perhaps that is because I didn’t experience the show in-person and was not able to see the work put into each piece. Pictures can only show so much!

Overall, I do think it was a success. Fashion should transport and delight the senses, just like any other art form- and even if this collection doesn’t interest me on a personal level, I appreciate what it has done in bringing ancient Egypt back to life. 

Check out some of my favorite looks from the collection below:

All images found on Vogue.com