I know you all are out there looking for all that juicy Spring/Summer 2019 coverage, but I just wanted to interrupt your regularly scheduled programming to let you all know I still can’t stop thinking about the Vivetta Fall/Winter 2018 collection. It’s. Just. So. Damn. Fun.
What originally drew me to this collection was its use of hand motifs (apparently one of Vivetta’s signatures) in super creative ways- from bedazzled vests and cutout sleeves to entire dresses made of them, I just couldn’t get enough! Plus, if you all have learned anything from the few posts I’ve already made, it’s that I adore bright colors, which Vivetta made spectacular use of in her whimsical designs.
But like I said before, this collection, above all, is just plain fun. And sometimes it’s important through all of the stresses we must endure in life to have some little ray of enjoyment. Because at the end of the day, for normal, working class people like me, high fashion is just another form of entertainment, a fantasy world to get lost in during my spare time. So it’s always nice to be newly delighted with collections like these that exist in celebration of femininity and joy.
A few of the most notable pieces include a mini, Swarovski-embellished hand dress, knee-high pink glitter boots, a bright orange puffer jacket cinched perfectly at the waist and a gauzy white dress with an appropriately placed red heart applique. I can’t wait to see what they do next!
Check out my favorite looks from the collection below:
Feature image from Grey Magazine. All other images from Vogue.com.
There are very few shows I see that make me think “wow, I need to write about that NOW.” But as soon as I saw the first look with the golden “broom” and whimsical, oversized witch hat, I was hooked.
I’ve been following Ryan Lo since 2014, when I stumbled across another one of his sugary, pink, fluffy and downright adorable collections. And, although I haven’t seen his last few collections (oops), I can confidently say that he’s only gotten better with time.
In his newest collection, Ryan Lo tackled the classic story of love… and witches. A magical combination of pastel princesses, knights and vibrant, cone-capped witches slowly made their way down the runway, giving onlookers enough time to appreciate each look in all their glorious, saccharine-sweet details.
We were treated to flowing gowns in retro-inspired floral prints, decadent loose-knit tops, dreamy hats and plenty of ruffles, bows, scallops and sheer layers to go around. Each dress was paired with a pair of boots or a pair of girly pumps with socks- eschewing the overwhelming trend in the past few seasons of pairing dresses with sneakers.
For Lo, and his aptly named “Saturn Returns” collection, it was all about love and happy endings. In fact, the bride (the last look of the show) was escorted down the runway by a literal knight in shining armor- what could be more romantic and dreamy than that? This collection, in all of its fantastical glory, succeeded in giving us all the happy ending we desired- one in which we can revel in collections like this and dream of a life where we might wear these very dresses and find our own knights in shining armor.
Check out my favorite looks from the collection below:
Just a couple of nights ago, Marc Jacobs lit the fashion world ablaze with his newest Spring/Summer 2019 collection; a swirling pink, pastel fantasy that reminded me of benevolent circus clowns and cotton candy dreams.
While the collection itself was noteworthy for how good everyone thought it was (sure- it’s Marc Jacobs, of course everyone would be raving about it), it was also noteworthy for a few other reasons. One being that it started over an hour and a half late (hence all of the “Worth the Wait!!” headlines) and the other being that 35 models agreed to have their hair dyed to match their looks at the show. And I don’t mean temporary dye, or hair chalk, or wigs. I mean like full-on-hair-bleached-and-colored-by-salon-professionals dyed.
While that in and of itself is impressive and noteworthy on the hair stylists’ part, it also got me thinking about just how strange the profession of modeling really is. These models went through the lengthy process of dying their hair for one part of one night. Kay Smetsers, the model that closed out the night, bleached and dyed her hair for the show, only to admit later via social media that she would be returning to her usual brown the very next day.
And while dying the hair may be tough but not impossible to reverse in the course of a day, some models even agreed to have their hair buzzed for the show. Now that’s a change you’d think one might not take lightly, and yet, in the modeling industry, these sort of changes are just par for the course.
My introduction to the world of modeling came through the over-the-top, corny and addicting world of America’s Next Top Model- a show that gave contestants extreme makeovers to supposedly make them more marketable in the fashion industry. For me, the makeover episodes always tended to be the most entertaining, not only to see how the girls would look at the end, but because there was always at least one that would burst into tears as the stylist unapologetically sheared off their locks. When the dust settled, someone was always there to give the poor gal some tough love- this is how the industry is, sweety. Get used to it, or hit the road.
It seems that modeling is a profession largely devoid of bodily autonomy. Of course, one always has the choice to not take the job. But within any modeling job, the model and the model’s body act as a canvas to enact another person’s art and vision. While this attitude has enabled many gorgeous works of art to be shown to the world, it makes me think- how healthy is the lifestyle? Physically and psychologically- what happens when it feels as though your own body, the only thing that truly belongs to you, is largely under someone else’s control?
All that aside, this collection, while it didn’t totally woo me, had some great moments. Sequin pants, ’50s silhouettes, cute, candy-colored cardigans and insanely indulgent, ruffled-to-the-max dresses so sweet they’d give you a toothache- the designer gave us a saccharine show that didn’t take itself too seriously. And, although pastel hair has probably been way overdone at this point, I do appreciate Jacobs’ take, which aimed to show a more grown up, vintage-inspired version of the millennial hair trend.
Check out my favorite looks from the show below! Next up: London Fashion Week!
If asked what kind of child I was, my mother would probably say “imaginative” or something similar, as I quite literally had more imaginary friends than real friends (and hey, I like to think I turned out alright!). While some parents may have seen this as a cause for alarm, my parents encouraged me to put my wellspring of creativity to good use. So, I became a writer.
I only started with that anecdote to help explain why I fell into fashion in the first place. It started with magazines and editorials. Although I am normally an avid reader of all sorts of media, I’ve never been one to actually sit and read the various articles in a magazine. I’ve always been drawn directly to the shoots and editorials, my eyes hungry and ready to feast on the visual splendor of the newest fashion collections.
Runway shows were the obvious next step in my progressively increasing addiction to the art of fashion. Sure, I love the practical collections that will be sold at all of the big department stores and online retailers, but it’s the artsy, non-practical stuff that leaves non-fashion people asking “who would wear that?” that really gets my blood pumping.
The Rodarte Spring/Summer 2019 ready to wear collection managed to stimulate my fantasy brain, plunging me into a vibrant world of absolute decadence and sensory overload. Sheer dresses, crocheted shifts, metal armbands, floaty veils, giant ruffled shoulders, frilly tiered dresses, embroidered capes- and all in a rainy graveyard? I mean, the location alone is enough to inspire daydreams for days to come. My story-seeking brain was groomed, pampered and fully slaked with this richly textured and vibrant collection. The unexpected rain even added to the drama of the event, as the sound of the rain accented the soundtrack and models had to more carefully maneuver their environment.
As Maya Singer so aptly wrote in her review of the collection for Vogue.com,
No one is better at provoking daydreams than Rodarte—it’s impossible to watch one of their shows without fantasizing about the kind of life these looks demand, a life of endless decadence and romance. You could see them as the ghosts of possible selves.
And I could really only ever hope that one of my possible selves could wear clothes this hauntingly beautiful.
Check out my favorite looks from this collection below:
All photos in the above gallery were found on Vogue.com. Featured photo by Slaven Vlasic/Getty Images.
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