Tag

Spring/Summer 2019

Browsing

Lately, I’ve been indulging a new love of comfortable, rustic-looking clothing that emulate something that someone living on a farm in the early 1900s might have worn. It’s so simple and no fuss, as well as being pretty dang cute- especially when in comes in provincial patterns like plaid and gingham! Because of this strange, newfound love of prairie, farm girl style, discovering the brand Ace & Jig was a surprising treat!

Designed by Cary Vaughan and Jenna Wilson, the mission of the Ace & Jig brand is simple: Create effortless clothing from interesting, eye-popping textiles that can be worn in several ways and for several years. Instead of designing to appeal to the latest trend that will die in a single season, Ace & Jig designs pieces for the long game, in timeless silhouettes that you can layer with other pieces to create new looks day after day, which makes building a wardrobe with a low environmental impact a lot easier!

Not only does Vaughan and Wilson’s brand help to cultivate sustainable fashion, it also empowers women in genuine ways, like employing a group of women in India and paying them fairly to weave their custom textiles. It seems that the essence of the Ace & Jig brand is wholesomeness and an honest desire to improve the world, which is something I have no problem getting behind!

And the clothes are pretty alright, too. I was instantly delighted by the vibrant plaid prints, as well as the surprising ways the outfits were layered, like having an apron-esque, pinafore layered over another dress, or a pair of overalls over a pair of pants made from the same print. All of the layering in the outfits creates depth through interesting silhouettes and refreshing color combinations, that I can’t imagine being unhappy while wearing one of them, and it makes me want to romp through a field of rolling, golden grass with a milk pail in hand.

I think we could all take some notes from Ace & Jig on how to refresh our wardrobes by layering our clothes in innovative ways. We can also probably all agree that the age-old rule that says you can’t mix prints may be a bit outdated.

Check out my favorite looks from their last two collections below:

Fall 2019

Spring 2019

While May leers at us from around the corner, we Texans and other citizens of the American south are beginning to get the first hints of summer, with temperatures already reaching into the high 80s. And while I loath to admit that our mild days are, for the most part, on the outs, I’ve already begun shaping my vision of the perfect summer in my mind.

Others may consider free time spent on exotic vacations, lounging on bright beaches in their perfect bikini body to be their dream summer, but my fantasies don’t extend the confines of my own skull. I’m talking about attitude, perspective, peace of mind. I’m talking about learning how to float on top of the waves and just not care so much. I’m talking about just having fun for once gosh darn it. And the refreshing, lighthearted Chanel Spring 2019 collection helped to solidify my goals of just chilling the heck out this summer.

yellow tweed skirt suit from chanel spring summer 2019 fashion runway show
Some of my favorite looks from the Chanel Spring 2019 collection emulated the warmth and joy of soft sunshine with their bright, yellow shades. (Photo: Vogue.com)

One of Karl Lagerfeld’s last collections, the Chanel Spring 2019 show perfectly exemplified the youthful energy that Lagerfeld sought to imbue into all of his collections with its pastel palette and playful, oversized silhouettes. The fact that models walked barefoot across a fabricated beach (complete with waves) speaks to the amount of commitment Lagerfeld had for creating fun collections that served no higher purpose other than to delight, and the oversized ’80s-esque silhouettes further demonstrated this sense of carefree wonder by emulating the spontaneous joy of a young girl (or boy!) playing dress up in their mother’s most glamorous attire.

The whole collection spoke to some deep and underutilized part of my heart that yearns for the days of languid, childhood summers where the only thing you had to worry about was how many days there were left until school started again. Just a small dose of that effortless, carefree state of mind would do me wonders- which is why I’m making it my goal this summer to fabricate my own vacation of the mind, to escape the stresses and anxiety of my adult life.

Anyways- some of the best aspects of this beachy Chanel collection are the ones where Lagerfeld plays with your expectations by adding childlike elements to proper pieces, like pairing slick bike shorts with a prim sweater, or splitting the legs of a tweed jumpsuit to give it summery flow. Some of my favorite looks from the collection were rendered in a punchy yellow that immediately drew the eye and, again, transported me back to happy summers that I wished would never end.

Here’s to hoping that my summer will be as nice as the feeling of walking barefoot on a (synthetic) beach.

Check out some of my favorite looks from the collection below:

All photos from Vogue.com

Marta Rios loves color, so much that she doesn’t even own any (!) black clothes, or anything that could be considered neutral because she insists that wearing color will not only make you happier, but will also improve the moods of everyone around you. In other words, Marta Rios wants us to live our lives boldly and she asserts this point with her ridiculously colorful and playfully-proportioned clothing line Atelier Mimii.

Featuring oversized, quilted dresses that come in all kinds of vibrant colors paired with all manner of ruffles and unique, art-inspired embellishments, Atelier Mimii is not for the faint of heart. In fact, these dresses are so fantastically over-the-top, that I would go as far as to classify them not as clothing, but as wearable art pieces that will transform you into a modern masterpiece to be admired. But the point of Atelier Mimii is that it is clothing and it’s meant to make our day-to-day lives much more fun and whimsical.

In fact, Marta Rios is so dedicated to making clothes that make her happy, that she never makes anything to show or accentuate the shape of the body, preferring to show off the colors and lush details, including Victorian-inspired full sleeves and collars, quilted & pearl-covered corsets that hearken back to what Spanish courtiers wore in the 16th century, and plenty of tulle. And when all is said and done, the dresses cut and sewn, Rios saves the scraps to make one-of-a-kind, handmade quilted bags to match.

I’ve been obsessed with oversized, maximalist clothing, so the Atelier Mimii aesthetic really appeals to my current style truth. My favorite look might be the yellow set with the long-sleeved shirt and shorts- so cute!

Check out some of my favorite looks from Atelier Mimii below:

Photos from NowFashion.com and Vogue.com

While everyone is moving their attention towards the incoming Pre-Fall 2019 collections, I’m still caught up on Spring/Summer 2019. There were so many amazing collections, and many of the smaller ones did not receive the recognition they deserve. One of my favorite small collections from the season was Malamute Spring/Summer 2019 which brought us a cultivated collection of fun, preppy looks mixed with impeccable knits all inspired by Christopher Nolan’s movie Memento which explored the thread of memory and repetition.

Although this was Mari Odaka’s ninth collection with Malamute, this collection was the runway debut of her stunning knits and gorgeously-tailored dresses that perfectly suit the female form. The looks that shone the most, in my opinion, were the retro-looking linen dresses with fringe across the bodice- they had such a charming, western vibe that was hard not to admire.

Other standouts included two fitted knit dresses and plenty of distressed denim outfits to inspire my off-duty wardrobe. And the red details sprinkled throughout the looks really served to bring everything together into one refreshing collection of western-inspired looks to lust after. I’m definitely looking forward to seeing more from Odaka’s Malamute in the years to come!

Check out a few of my favorite looks from the collection below:

All photos found on Vogue.com

My favorite kinds of collections are ones that exist in a world of pure fantasy and that tell a distinct story with each passing look. This season, Bill Gaytten designed the Spring/Summer 2019 John Galliano collection that interpreted the classic Australian thriller-mystery novel “Picnic At Hanging Rock” and translated it to a dreamy, nostalgic collection that brought us back to the year 1900 in the late Victorian age, where women wore corsets, gauzy dresses, and jackets with puffed shoulders. I swoon.

These frilly, light, girlish, Victorian-inspired dresses bring to life the characters of  Australian author Joan Lindsay’s classic thriller-mystery novel “Picnic At Hanging Rock.” (Photo: Vogue.com)

In the story of “Picnic At Hanging Rock,” a group of school girls goes missing while on a Valentine’s Day outing to the picturesque Hanging Rock. They disappear under mysterious circumstances that leaves the community reeling and poised for tragic collapse. This compelling story was made into a visually striking, gorgeous film that featured a bevy of beautiful ladies dressed in incredible dresses- which served as the inspiration for Gaytten’s work. 

Through the ghosts of these 1900s schoolgirls, his collection managed to evoke a distinctly summery, yet posh and delicate mood with Vicotrian-inspired, translucent dresses and skirts that were rendered in girlish colors like pink, powder blue and white. Each dress also included its fair share of bows, frills, lace and pearlescent beading, perfect for making each girl look like a porcelain doll, while heavy black combat boots modernized each look and gave them some much-needed edge. One of the more charming details of the collection are the oversized, round glasses that scream boarding school, paired with rustic straw hats. I’ve already added both of these accessories to my list of must-haves for next season!

When it comes down to it, I really love collections that strive to pluck something from the past and polish it until it shines anew, so that people can see it with fresh eyes. Vintage looks give me a ton of inspiration in particular because I adore thrifting and finding unique pieces that could never be found in a modern retail store. While these frilly, Victorian getups may not seem practical to the everyday consumer, these types of collections light a fire inside me and really validate my sense of style, while giving me inspiration for what to look for at my next thrift store search.

Fashion, at the end of the day, is about creating a character for others to inhabit, and this collection has done a fine job of bringing a swathe of literary personalities to life. 

Check out some of my favorite looks from the collection below:

All photos from Vogue.com

It’s been raining every day for weeks. There’s bad news when you turn on the TV, more bad news when you scroll through your feed. Every day at work is the same. Everything slogs on and takes on a dull hue of indifference and  boredom. Let’s face it, sometimes life just sucks and you fall out of love with yourself, your job, and everything. It’s at times like these that I can truly appreciate the little, happy things in life, like Mira Mikati’s Spring/Summer 2019 collection. 

embroidered dress mira mikati spring/summer 2019
This delicate, sheer, beautifully embroidered dress is so playful, yet still works as evening wear, while also paiting with more casual pieces for daytime. (Photo: Vogue.com)

This collection caught my eye because of its completely carefree, innocent vibe that cuts through the shadow and smog of a world that doesn’t always seem so great. Mikati has somehow managed, with her colorful, circus-esque stripes, embroidered sheer slip dresses and optimistic slogans, to distill the very essence of joy and imbue every thread of her playful collection with it. Seriously, just looking at these photos makes my heart warm!

Some of the pieces that most stood out to me are a super fantastic jacket with a summery, yellow sun print and a backless, short-sleeved, midi dress that features a bright, child-like polka dot print. What I love most about this collection is that, although it is colorful and clownish (in a good way!), each piece is incredibly wearable on its own, and equally wearable married with other colorful pieces in the collection. In an age where print and color clashing is acceptable and encouraged, I think it’s something special to create an entire line that works so well individually or as a unit. I want to buy it all!

In Mikati’s own words, her collection is “a fairy tale that starts well and finishes well.” No complications, no regrets, no unfinished business, just a happy ending- something we could all use a little more of in our lives.

Check out my favorite looks from the collection below:

All photos from Vogue.com

Prada is always one of the most anticipated shows of Milan Fashion Week, and hardly ever disappoints. This collection has, once again, captured the world’s attention, not only for its playful take on conservatism vs. rebellion, but for its out-of-this-world accessories. Every girl donned a retro-inspired, puffed up Alice band (something I have never seen before), while others made a statement against the small glasses trend with enormous sunglasses that immediately create the impression of large, alien eyes. In other words, the show wowed. 

The oversized sunglasses at the Prada Spring/Summer 2019 show mimicked the eyes of the classic image of the little green men aliens, and were also inspired by the pronounced lower lashes of the ’60s. (Photo: Vogue.com). 

Prada first knocked me off my feet with their Fall/Winter 2015 show, a pastel, retro-futuristic dreamworld that begged us to consider the difference between natural and artificial beauty. Prada has a flair for the dramatic, and turning tastes and conventions on their head, which is exactly what made this collection so exciting. It mixed schoolgirl, cutesy aesthetic (translucent, glittering knee-high socks paired with fetished-up Mary Janes, and flipping, tie-dye, pleated skirts evoked a young femininity) with a rougher, edgier sense of rebellion. Sensible button-ups had holes cut at the chest, and the once-sweet Alice bands became embellished with punky metal studs. A sweet, innocent makeup look- harsh cut bangs and extremely pronounced lashes- reminded me of a Twiggy mixed with Rosemary’s baby, and complemented the rougher, edgier vibes of the show surprisingly well.

All in all, the show was a success, with tons of wearable pieces that fashion-lovers will be scrambling to get their hands on when the time comes. Some of the most noteworthy pieces were their sheer dresses (worn over bloomers at the show), the mock-neck satin tops with a dainty neck bow, the strappy, satin A-line mini dresses and the ubiquitous knee-high socks complete with their iconic triangular logo. My greatest hope, though, is that I see more of these headbands and sunglasses out in the real world. We need everyday fashion that takes risks and challenges conventions, fashion that asks questions and demands attention. Fashion that makes us stop scrolling through our feed and look.

Check out some of my favorite looks from the show below:

All photos were found on Vogue.com

There are very few shows I see that make me think “wow, I need to write about that NOW.” But as soon as I saw the first look with the golden “broom” and whimsical, oversized witch hat, I was hooked.

The girl gets the classic fairy tale ending with the last look in the show, in which the show’s bride is escorted down the runway by her very own knight in shining armor- WOW! (Photo: vogue.com)

I’ve been following Ryan Lo since 2014, when I stumbled across another one of his sugary, pink, fluffy and downright adorable collections. And, although I haven’t seen his last few collections (oops), I can confidently say that he’s only gotten better with time. 

In his newest collection, Ryan Lo tackled the classic story of love… and witches. A magical combination of pastel princesses, knights and vibrant, cone-capped witches slowly made their way down the runway, giving onlookers enough time to appreciate each look in all their glorious, saccharine-sweet details.

We were treated to flowing gowns in retro-inspired floral prints, decadent loose-knit tops, dreamy hats and plenty of ruffles, bows, scallops and sheer layers to go around. Each dress was paired with a pair of boots or a pair of girly pumps with socks- eschewing the overwhelming trend in the past few seasons of pairing dresses with sneakers. 

For Lo, and his aptly named “Saturn Returns” collection, it was all about love and happy endings. In fact, the bride (the last look of the show) was escorted down the runway by a literal knight in shining armor- what could be more romantic and dreamy than that? This collection, in all of its fantastical glory, succeeded in giving us all the happy ending we desired- one in which we can revel in collections like this and dream of a life where we might wear these very dresses and find our own knights in shining armor.

Check out my favorite looks from the collection below:

All photos found on vogue.com

Just a couple of nights ago, Marc Jacobs lit the fashion world ablaze with his newest Spring/Summer 2019 collection; a swirling pink, pastel fantasy that reminded me of benevolent circus clowns and cotton candy dreams. 

While the collection itself was noteworthy for how good everyone thought it was (sure- it’s Marc Jacobs, of course everyone would be raving about it), it was also noteworthy for a few other reasons. One being that it started over an hour and a half late (hence all of the “Worth the Wait!!” headlines) and the other being that 35 models agreed to have their hair dyed to match their looks at the show. And I don’t mean temporary dye, or hair chalk, or wigs. I mean like full-on-hair-bleached-and-colored-by-salon-professionals dyed.

While that in and of itself is impressive and noteworthy on the hair stylists’ part, it also got me thinking about just how strange the profession of modeling really is. These models went through the lengthy process of dying their hair for one part of one night. Kay Smetsers, the model that closed out the night, bleached and dyed her hair for the show, only to admit later via social media that she would be returning to her usual brown the very next day. 

Kay Smetsers, the model that closed the Marc Jacobs Spring/Summer 2019 show, bleached and dyed her normally-brown hair just for this show. She admitted she would be dying it back to its usual color the very next day. Photo: vogue.com

And while dying the hair may be tough but not impossible to reverse in the course of a day, some models even agreed to have their hair buzzed for the show. Now that’s a change you’d think one might not take lightly, and yet, in the modeling industry, these sort of changes are just par for the course.

My introduction to the world of modeling came through the over-the-top, corny and addicting world of America’s Next Top Model- a show that gave contestants extreme makeovers to supposedly make them more marketable in the fashion industry. For me, the makeover episodes always tended to be the most entertaining, not only to see how the girls would look at the end, but because there was always at least one that would burst into tears as the stylist unapologetically sheared off their locks. When the dust settled, someone was always there to give the poor gal some tough love- this is how the industry is, sweety. Get used to it, or hit the road.

It seems that modeling is a profession largely devoid of bodily autonomy. Of course, one always has the choice to not take the job. But within any modeling job, the model and the model’s body act as a canvas to enact another person’s art and vision. While this attitude has enabled many gorgeous works of art to be shown to the world, it makes me think- how healthy is the lifestyle? Physically and psychologically- what happens when it feels as though your own body, the only thing that truly belongs to you, is largely under someone else’s control?

All that aside, this collection, while it didn’t totally woo me, had some great moments. Sequin pants, ’50s silhouettes, cute, candy-colored cardigans and insanely indulgent, ruffled-to-the-max dresses so sweet they’d give you a toothache- the designer gave us a saccharine show that didn’t take itself too seriously. And, although pastel hair has probably been way overdone at this point, I do appreciate Jacobs’ take, which aimed to show a more grown up, vintage-inspired version of the millennial hair trend.

Check out my favorite looks from the show below! Next up: London Fashion Week!

Images found on vogue.com. 

If asked what kind of child I was, my mother would probably say “imaginative” or something similar, as I quite literally had more imaginary friends than real friends (and hey, I like to think I turned out alright!). While some parents may have seen this as a cause for alarm, my parents encouraged me to put my wellspring of creativity to good use. So, I became a writer.

I only started with that anecdote to help explain why I fell into fashion in the first place. It started with magazines and editorials. Although I am normally an avid reader of all sorts of media, I’ve never been one to actually sit and read the various articles in a magazine. I’ve always been drawn directly to the shoots and editorials, my eyes hungry and ready to feast on the visual splendor of the newest fashion collections. 

This pastel, frilly frock played beautifully with the somber, eerie mood of a graveyard in the midst of a downpour. Photo: Vogue.com 

Runway shows were the obvious next step in my progressively increasing addiction to the art of fashion. Sure, I love the practical collections that will be sold at all of the big department stores and online retailers, but it’s the artsy, non-practical stuff that leaves non-fashion people asking “who would wear that?” that really gets my blood pumping.

The Rodarte Spring/Summer 2019 ready to wear collection managed to stimulate my fantasy brain, plunging me into a vibrant world of absolute decadence and sensory overload. Sheer dresses, crocheted shifts, metal armbands, floaty veils, giant ruffled shoulders, frilly tiered dresses, embroidered capes- and all in a rainy graveyard? I mean, the location alone is enough to inspire daydreams for days to come. My story-seeking brain was groomed, pampered and fully slaked with this richly textured and vibrant collection. The unexpected rain even added to the drama of the event, as the sound of the rain accented the soundtrack and models had to more carefully maneuver their environment. 

As Maya Singer so aptly wrote in her review of the collection for Vogue.com, 

No one is better at provoking daydreams than Rodarte—it’s impossible to watch one of their shows without fantasizing about the kind of life these looks demand, a life of endless decadence and romance. You could see them as the ghosts of possible selves.

And I could really only ever hope that one of my possible selves could wear clothes this hauntingly beautiful.

Check out my favorite looks from this collection below:

All photos in the above gallery were found on Vogue.com. Featured photo by Slaven Vlasic/Getty Images.