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Ever since I read “Catcher in the Rye” by JD Salinger in high school, I’ve been enamored with the format of the stream of consciousness narrative. It’s just so cool to be with a character inside of their own head, tip-toeing around their thoughts and falling into their long, looping spirals of emotion as they navigate the world, or their memories. There is something so compelling about telling a story that way, entirely through the characters own biased sense of reality. It has been my favorite form to write in ever since.

“Nobody Is Ever Missing” by Catherine Lacey isn’t like any other stream of consciousness story I have ever read. The story is essentially a retelling of when the main character, Elyria, a married woman with a respectable job, runs away to New Zealand after realizing she feels completely unhappy in life. The way I’m describing this is oversimplifying it, really. The plot of her stay in New Zealand and struggle with reconciling her relationship with her husband is relatively simple in structure. The real story emerges in the narrator’s reflection on these events and the emotions and memories surrounding them. It is a deep dive into her psyche to salvage the wreckage of her life, a meandering walk through the fractured mind of someone grieving deeply.

new zealand nobody is ever missing book review catherine lacey

At the heart of the story lies the central issue that Elyria’s adopted sister, with whom she shared her age, unexpectedly commits suicide by jumping out of her apartment window. This is something that Elyria will never get over, which rots her from the inside out, even while she falls in love with and marries the professor that last saw her sister alive. It is this mutual tragedy that originally connects them, then subsequently destroys them later on.

Anyways, Elyria runs away to New Zealand and begins living a hermit life where she’s alone with her thoughts, and she has a lot of them. One of the most compelling aspects of this book is the way its written, in long, rambling sentences that bring to mind the image of someone trying to say a very long thought in one breath. It’s a rush, pulling you along to read more and more, while simultaneously making you very exhausted. Almost as exhausted as the narrator is as she pulls each memory out from the depths and examines every painful corner in sharp detail. Here’s an example of one particularly striking passage toward the middle of the book:

Someone said once that they’d never heard of a crime they couldn’t imagine committing, and I realized then that if I had a daughter and she had a rabbit and that rabbit was alone with me and I was feeling the way I felt right now and I had a way to kill that rabbit and the time to spend killing that rabbit then killing that rabbit was something I could imagine myself possibly doing or at least considering doing or being on the edge of doing.

Elyria in “Nobody Is Ever Missing” by Catherine Lacey

Because of the tiring nature of each heavy chunk of thought the narrator gives us, I found myself having to digest this book in small bites, rather than bulldozing through it to get to the next plot point. That wasn’t the point of this book. The point was to work through all of the narrator’s incoherent feelings about her sister’s death, her failed marriage to her husband, and her subsequent mental breakdown that led her to flee to New Zealand for months, until she was forced to come back due to an injury and overstaying her travel visa. As I said before, the plot is simple, which is fine. If it was any more complicated, the book would have tried to tackle too much.

And while the lyrical, frantic voice of the novel was one of its best features, it was also one of its worst features because it made some sections of the book move too slowly and become frustrating to read. The narrator often repeats the same thoughts and ideas, which is realistic to how people think about things and process emotions, but doesn’t make for a smooth, enjoyable reading experience. Also, the lackluster ending left me wishing the conclusion had a little more impact. Then again, this book wasn’t about resolution, or satisfaction. It played out almost like a drawn out therapy session transcribed to help the narrator understand her own issues, which in and of itself made the book a worthwhile and interesting read.

While I enjoyed this book, I probably wouldn’t read it again and would give it a 3.5/5 for its thought-provoking prose.

I picked up another book by Catherine Lacey called “The Answers,” which was actually a coincidence, but I’ll leave a review here when I finish that one as well, so keep an eye out!

“What is this?” you may be asking- “Nothing to do with fashion, style, or runway? I can’t believe it!” Well, believe it! And welcome to the very first book review (one of may to come) to be posted on this site. First up: Ubik by Philip K Dick, one of the most highly acclaimed science fiction writers of all time. 

Let me start by saying that science fiction is one of my all-time favorite genres. I’ve always loved to revel in the visions of the future conjured up inside of the writers’ minds. There are endless possibilities in creating a science fiction world, something that reminds me of how endless the possibilities of the future are for our own reality. 

But speaking of science fiction world-building- wow, PKD is a true master of this art. I previously read one of his other novels, Do Androids Dream of Electric Sheep? (the novel that inspired the Blade Runner films) and was completely absorbed in the fantastical, yet totally believable and conceivable world he had created. I was met with the same luscious, totally addicting world-building in Ubik, a tale I would place into an entirely different vein than Do Androids Dream.

Ubik takes place in the distant future of 1992 (the book was written in 1969 lol) in a world where people have developed psychic powers and tells the story of Glen Runciter, Joe Chip and their company of “inertials,” or anti-telepaths that are employed to counter the telepathic powers of psychics who are paid to mine the general populace for trade secrets. When things take a turn for the worse for Glen Runciter and his band of eccentric inertials, stuff starts to get really weird, like Runciter’s face appearing on money and every cigarette in the world becoming so old and dry they crumble to pieces at the slightest touch. And here is where the story unfolds, in a reality where Glen Runciter, Joe Chip and crew are trying to figure out, along with the reader, just what the heck is actually going on.

A cover of Ubik by Philip K Dick that features the enigmatic product that may or may not have something to do with the mystery that unfolds.

Although I love science fiction, I’m always hesitant to pick up a new science fiction story because of all of the disappointments I’ve had with the genre in the past. I first heard about Ubik because it is on nearly every list of must-read science fictions, and even earned the title of one of Time‘s 100 greatest novels since 1923. Needless to say, I had high hopes for this one, but plenty of promising science fiction books get bogged down and suffer from a heavy-handed approach to world-building that shifts the focus of the story from plot and character to the world itself and how it operates. I get that part of the appeal of science fiction is the world, the technology and how society functions within it, but I’m a character gal, meaning I need a good set of characters to keep me invested.

This was not a problem with Ubik, or for any of Philip K Dick’s stories, really. PKD thrusts you directly into the world with little to no introduction or explanation of anything, preferring to let the world organically unfold around his characters of choice, something that makes the stories deeply enthralling and intriguing. He doesn’t hold your hand, or give long-winded, tell-rather-than-show histories. The world just is, and we’re left to figure things out on our own, which you can usually manage pretty quickly because the story is well-crafted enough that anyone can easily follow it after acclimating.

Now I would like to delve a little deeper into the meat and potatoes of the story so, if you haven’t read the book and would like to, STOP READING NOW! *SPOILERS AHEAD*

Proceed to the next page if you would like to continue reading.