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Love is in the air for Fall 2019, so much so that Valentino even created a book of love poems to give to the guests of their show, which aligned with the light, airy, dramatic, lovey-dovey atmosphere of their latest collection. Sarah Burton’s Fall 2019 collection for Alexander McQueen still brought us love, but in a much different way, by incorporating more intense elements, like hard metals, stark blacks and whites, and even a furious, passionate red that pulsed through the collection, creating a darkly-romantic vibe.

alexander mcqueen fall 2019 runway fashion style love romantic the young eclectic
The iconic dress embellished with heddles, or pieces from looms, which mimic the sound of a fabric factory floor when they move and clink together. (Image: Vogue.com)

And while the fluffy silhouettes of some of the more flouncy dresses, as well as the repetition of rose imagery throughout prints and couture-esque, sculpted gowns where volumes of fabric gather to create the visage of a rose in bloom (one of my favorite pieces being the impeccably-tailored suit with silk sleeves that culminate in a gorgeous floral whirl at the shoulders) create the notion of a romantic love, this whole collection was really Sarah Burton’s love letter to the textile industry of the northern UK. While the audience sat atop bolts of fabric, they watched extremely English, exquisitely-tailored suits traipse down the runway, as well as other dresses inspired by everything from suffragettes and their prim, white attire, to the Victorian frills of the Bronte sisters. Everything in the collection served to lift up the culture of her home.

In true McQueen fashion, there was one dress that really served as an art piece more than a garment- a dazzling silver dress embellished with heddles, which are pieces from looms used to weave fabrics. As the dress moves and the heddles glimmer and clink together, the sound is meant to mimic the sound of the factory floor where the fabrics of England are manufactured. And if that isn’t the coolest fashion-related thing you’ve heard all day, then I don’t know how to help you.

To say the very least and most, Lee Alexander McQueen would be proud.

Check out my favorite looks from the collection below:

All photos from Vogue.com

Rodarte never fails to charm me with its insistence on girlish whimsy and dangerous levels of sweetness- and the Mulleavy sisters have done it again- achieved a collection that is all at once fun, vibrant, frilly, and fantastical to capture every inch of the human imagination. While their latest collection is rife with Rodarte’s usual bows, ruffles, light pinks, and wispy lightness (physically and thematically), black leather (albeit ruffled and pleated and fun in its own right) provided a juxtaposing darkness to the looks that only served to uplift the bright, happy vibes of the rest of the collection.

Inspired by classic musicals and their leading ladies from the ’30s to the ’70s, this collection was nothing short of theatrical with its oversized shoulders, fresh, floral headpieces, logoed belts and earrings, and kitschy, clear plastic heels that remind me of something I might have slipped onto my Barbie’s unrealistically-dainty foot.

Come to think of it, this whole collection seems like a perfect choice to outfit a battalion of dolls, which is exactly the kind of fashion I love. Something unique and sweet that nobody would consider wearing out into the actual world. Well, maybe it’s time we make the world a better place with fashion choices that make us feel more alive.

Check out my favorite looks from the show below:

All images from Vogue.com

Gucci came to the Fall 2019 party guns a-blazing with a presentation that included a wall of flashing lights and mysterious, brightly- colored and almost-creepy, spiked masks (which Alessandro Michele admitted were only a fun detail for the show and would not be for sale). While the masks did their job of pulling us in and preparing us for the utter strangeness of the presentation, the rest of the collection firmly held me in place and kept me wanting to see the next look, and the next look, and the next look.

While the clothes themselves seemed to be more tame than Michele’s other recent offerings (he has abandoned his penchant for baseball trademarks and other logos almost entirely for a more subtle look), the outfits still seemed to impart an otherworldly quality that got my heart pumping as I flipped between the looks.

The silhouettes were oversized, hearkening back to menswear from the 1940s that touted extremely broad shoulders and wide pants (Michele’s were tied at the ankle, almost like a scarecrow), but he still added whimsy with plenty of pleats, ruffled colors, unexpected layering and ridiculous use of even more ridiculous accessories, which, in my opinion, became the star of the show.

From plated, color neck pieces to spiked headbands, these looks were embellished with accessories that were both whimsical and brutal, a delight for the eye to parse and the mind to imagine a character that would wear these accessories. Perhaps the most interesting of all of them were gilded ear coverings that made each model look like some kind of elf or alien- something I had never seen before, which left me equal parts confused and obsessed. Some other, perhaps more practical accessories included oversized fur stoles, logoed knee pads, and studded suspenders that will add some edge to any basic business looks in the season to come.

Alessandro Michele’s Gucci never fails to intrigue and delight me with its prolific and obnoxious creativity. I only hope I can learn to accessorize this boldly!

Check out some of my favorite full looks from the show below:

All photos from Vogue.com