It’s been raining every day for weeks. There’s bad news when you turn on the TV, more bad news when you scroll through your feed. Every day at work is the same. Everything slogs on and takes on a dull hue of indifference and boredom. Let’s face it, sometimes life just sucks and you fall out of love with yourself, your job, and everything. It’s at times like these that I can truly appreciate the little, happy things in life, like Mira Mikati’s Spring/Summer 2019 collection.Â
This collection caught my eye because of its completely carefree, innocent vibe that cuts through the shadow and smog of a world that doesn’t always seem so great. Mikati has somehow managed, with her colorful, circus-esque stripes, embroidered sheer slip dresses and optimistic slogans, to distill the very essence of joy and imbue every thread of her playful collection with it. Seriously, just looking at these photos makes my heart warm!
Some of the pieces that most stood out to me are a super fantastic jacket with a summery, yellow sun print and a backless, short-sleeved, midi dress that features a bright, child-like polka dot print. What I love most about this collection is that, although it is colorful and clownish (in a good way!), each piece is incredibly wearable on its own, and equally wearable married with other colorful pieces in the collection. In an age where print and color clashing is acceptable and encouraged, I think it’s something special to create an entire line that works so well individually or as a unit. I want to buy it all!
In Mikati’s own words, her collection is “a fairy tale that starts well and finishes well.” No complications, no regrets, no unfinished business, just a happy ending- something we could all use a little more of in our lives.
Check out my favorite looks from the collection below:
We are five days into October AKA “spooky season” and the chill of winter has yet to rear its refreshing and welcome head. If it ever actually gets cold, and if you care about hot trendz and the newest runway looks, you might be wondering “what should I be wearing this winter?” Well, look no further because Balenciaga has got you covered… and covered… and… covered.Â
The Balenciage Fall/Winter 2018 show was a delight to the eyes with all of the refreshingly odd styling choices, the vibrant hues, and the crisp silhouettes. I think a few of the gorgeously-curved jackets actually made me gasp. It was also the first show that officially combined menswear and women’s fashion into one huge, delicious display, one that left me wondering why men’s and women’s fashion is so separated anyway. Is it really that different? Is there no room for some give and take?Â
The quirky, futuristic vibes from recent shows in the past couple of seasons is a welcome change from the endless army of athleisure and sneakers that has overtaken the catwalk as of late. There were so many tantalizing, dizzying details about this collection, that we all could pick up some inspiration from it to spice up our own winter wardrobe and styling choices. I’ve outlined a few of my favorite threads that wove this collection together (ha!) so listen up and take notes!
The Biggest Coats You’ve Ever Seen… And Lots of Them
Probably one of the most iconic aspects of this collection was all of the coats, literally layers and layers of them. Some of the coats were so large, it was almost comical- which is what made it so damn fun! If you take a page out of their book and wear the largest coat you can find, not only will you look cool as hell, you’ll also be as warm as hell… literally.
Winter Blooms
Throughout this collection, several different, yet all equally vibrant, floral prints assaulted our senses (in a good way) and went in direct contrast to the usual solemnity and blandness of the winter season. So I say, let a little sunshine and joy into your wardrobe this winter with some distinctly warm, summery florals!
Prim Primaries
Primary colors have been a huge trend among Instagram trendsetters and streetwear legends for a while now, but, with this collection, it seems like this simplistic, yet striking trend may soon make its debut in the population at large. I’ve always been a fan of bright colors, so I say, why not? Mix and match- it’s all about bright, vibrant fun this season!
Structured Blazers
I thought some of the most thoughtfully crafted and dynamo pieces in this collection were the shaped and structured blazers and pea coats, which, ironically, were actually crafted and molded by a 3D modeling program on a computer, allowing each piece to be identical in all of its “razor-sharp, sleek, basque-waisted” glory. I just love how it accentuates the shape of the body so beautifully, almost like Dior’s New Look, while also adding that layer of androgyny when the pieces were worn by masculine people. If I were to get anything from this collection, it would definitely be one of these breathtaking jackets.
Velvet is Back, Baby
We all know that all things ’90s have been having some kind of renaissance lately, and velvet just keeps popping up again and again. This luxe, rich material not only adds a ton of texture to your outfit, it’s also warm as hell, so it’s perfect for the incoming cold.
Chunky Chains
I’ve never been a fan of huge, statement jewelry, but there is something equal parts appealing and off-putting about a giant, chunky chain resting upon your fragile, human neck that intrigues me just enough to add this to the list. And these chains are even more interesting because they look like normal chains at first glance, but upon closer inspection the necklaces are actually made of interlocking clips and carabiners often used in rock climbing and other outdoorsy activities, which is a callback to the skiing and snowboarding theme that served as this collection’s main source of inspiration. While chains of all kinds are a staple in goth fashion, I think this style could be recycled to great effect if paired with distinctly feminine, soft looks for some delicious juxtaposition.
I am confident that, even if you don’t look at any other winter collections this season, you have all the inspiration you need to get yourself started on honing your winter style. You definitely shouldn’t feel the need to follow trends when figuring out what you would like to wear, though. Just be yourself and your style will naturally emerge and evolve from that, which is, essentially, how fashion is born anyways.
There were many times in my life where I flirted with vegetarianism. I avoided meat for a few months in high school under the guise of wanting to lose weight, then stopped because it was too hard to reconcile my dietary needs with my family’s preference for meat. My second try was at the start of my freshman year of college “for health reasons,” but, again, I turned back to eating meat because there weren’t enough affordable vegetarian options in the university cafeterias to keep me satisfied.
The point is, I had, for a long time, wanted to make the switch to a meat free life, but always lacked the drive and motivation to stick to it. Believe it or not, living in a society where most people eat meat on a daily basis can make choosing a different path, like veganism or vegetarianism, fairly difficult. There was also always the stigma of being one of “those people”- the annoying vegan/vegetarian that is almost militaristic in their beliefs and criticizes all of the meat eaters of the world, or tries to make faulty arguments about our bodies not being made to consume animal products. Because of the loud minority, this lifestyle definitely leaves a bad taste in some people’s mouths. For these reasons, the first few times I tried cutting out meat, I stuck to such weak and meaningless explanations for my choice- “I want to lose weight,” or “it’s strictly for health reasons.”
Something had to change to make this decision stick. I had to move beyond some shoddy, half-baked reasoning on to something meaningful that I was truly passionate about, or I would never actually get anything out of it. I would just be going through the motions. And sometimes a little heartache and tragedy is enough to do the trick.
I have always been an avid and passionate lover of animals. Growing up, we always had cats- first Jefferson, who was older than I was when he died, then Betsy and Peaches. They were always the lights of my life and gave me endless joy and companionship. I love animals so much I even once considered a career as a veterinarian or a zoologist. But, for some reason, this love alone never clicked as a good enough excuse to quit eating meat. I loved pets, that special class of animal we deemed worthy of love, affection and respect. All of the others… Well, they were on their own. Especially the lowly farm animals. This is something that we, as a society, rationalize and it is something that took a hard lesson for me to unlearn.
About a year ago, when I finally moved out of the dorms and into an apartment of my own, I wanted to get myself a small pet to keep me company, since a cat seemed like too much of a commitment and would be too expensive to keep in an apartment. This led me to PetCo in search of the perfect hamster, the quintessential pet rodent. The universe, however, had different plans in store, as I ended up spying the cutest creature I had ever laid eyes on in my life. It was a gerbil, an “exotic” rodent that most people assume is just another name for a hamster. Although I was clueless about gerbils, I knew then, upon seeing this tiny being, that I was going to adopt them.
The aforementioned creature was butterscotch-colored with huge, almond-shaped, black eyes, a pleasantly round body and a fur-covered tail. When I spotted him, his angelic, sleeping head was sticking out of a ceramic acorn and my heart shattered into a million pieces and then melted. Before long, he, along with his smaller, grey buddy, were mine. I named him Toast and I loved him and his partner, Magellan, like they were my own children. They were my first pets in life that were 100% mine, and I took the role of pet parent very seriously. Soon, my evenings were consumed with spending time with them, letting them run around on my bed, watching them dig tunnels and chew cardboard, and just holding and petting them.
I was so happy and ready to spend the next 3 or so years with my new little friends, which is why it came as a complete shock when, last October, after only about four months of having them, Toast died. The vet informed me that he had a massive tumor that literally crushed his tiny organs. The poor thing had probably been suffering while hiding his symptoms for months. I was devastated. For days, I could hardly keep from crying at the thought of the little guy. After about a week of extreme emotional pain, I came to the realization that I can’t have loved an animal that much, receive so much joy and sorrow from its existence, then continue to eat other animals and cause them pain.
Toast and Magellan had taught me a valuable lesson about the validity of animal life, and gave me a newfound passion and meaning behind my choice to go meat free. Through this conviction to cause as little animal harm as possible, and my respect for all types of animals, I have never faltered on my path of remaining a vegetarian. And now, one year in, I can say I can’t really see myself ever going back. I have never craved meat, or really even missed it. Sure, there are a few of my favorite meaty dishes that I reminisce about, but that nostalgia for meat is never strong enough to surpass my passion for animal life. Plus, there are plenty of meatless “meats” that are incredibly flavorful and delicious, even my meat-loving boyfriend sometimes partakes in my plant-based meat meals.
One question most people ask me is if I have seen any benefits to my health since making the switch, and it’s a hard question to answer. I have not seen any direct, measurable changes in my health. I actually gained some weight in the beginning because I was eating a lot more carbs than my body was used to, but once I figured things out, my body went back to where it has been for the past few years. I think the only direct change I have noticed is that I have less problems with digestion, since my body has always had trouble processing animal fats. But other than that, I feel the same.
Would I recommend others go vegetarian? Of course. Cutting out meat is one of the best ways you can help to reduce your contribution to global climate change, since massive cow farms emit a ton of greenhouse gases. I also think that our society in general puts too much dietary emphasis on meat proteins, and everyone eats way more than they actually need. Even just reducing the amount of meat eaten would help, not only to save animal lives, but to save our planet as well. But I will never force my choice on anyone, as it is something deeply personal and meaningful to me, and I believe that such serious choices should be your decision to make alone.
So- how was my year without meat? It was more full of love and life than ever, and I am so glad to have made this choice for myself and all of the animal friends I have met and will meet. This one is for you.
With all of the Spring/Summer 2019 shows hitting the runway, I think we all tend to forget about the season we’re actually living through right now… Fall. It took me a while to even dredge up the Fall/Winter 2018 shows from the trenches of my memory, but I’ve browsed through a few shows and articles as a little refresher, so let’s get started!Â
While one of the biggest trends for Fall was definitely rustic/pioneer-inspired western prints, chunky knits and patchwork, another prevailing trend was almost exactly the opposite. Designers brought their take on future fashions to life by using hard, plastic materials, neon colors, iridescent shimmer, all-over metallics and innovative silhouettes. While I generally disapprove of neon outside of workout wear, I think it pairs well with the “futuristic” aesthetic because it brings to mind neon lights, which are, for some reason, very prevalent in futuristic sci-fi films.
How could you wear this trend out in the wild? Well, that’s the fun of it! Wearing this trend means attracting attention to yourself and forgoing anonymity. It means letting your layers of plastic and beading and paillettes twinkle and tinkle as you walk. It means resembling an oil slick, or becoming something alien. I think that’s why I was so intrigued by this trend, because it is so unlike anything anyone would normally wear, so it inherently ignites the imagination and requires us to forgo our former selves once we slip it on. And, in my opinion, this is the very essence of fashion.Â
Check out some of my favorite looks from this trend below:
I am, above all else, drawn to the romanticism, art and drama of fashion, which makes me partial toward collections that are super over-the-top with theatrical makeup and pieces that could never actually be worn in daily life. Since fashion is just another form of entertainment for me, why would I care if something is deemed “wearable,” or not? For this reason, I’m not usually attracted to collections that feature stiff-looking, highly-structured looks like suits, that have a very practical purpose out in the real world.
The Sara Battaglia Spring/Summer 2019 collection, although very practical and wearable in a lot of ways, managed to capture my attention with its playful colors and refreshing shapes. Work-ready suits are rendered in bright colors like pink and orange. Jackets have drooping, dramatic sleeves and large, pop art-inspired prints. Sleeves are bunched up and tied to create fun, pirate-like, puffed sleeves on an otherwise nondescript dress or shirt. It’s just plain fun!
You can tell that Battaglia gets a kick out of creating looks that have a distinct shape, like the shirt that features sleeves that stick out like two halves of a full moon, which played very nicely with the crisp white skirt it was paired with. Inspired by ’50s and ’60s professional dress, vibrant art from that time- swishing tulle and billowing ballgowns just aren’t her thing. And hey, even though I’m a sucker for those dreamland dresses, I can appreciate that every designer has their own aesthetic and motifs. Plus, every woman needs a good power suit in her repertoire, even if it’s bright yellow and has fringe hanging from the sleeves.
Check out a few of my favorite looks from the collection below:
Prada is always one of the most anticipated shows of Milan Fashion Week, and hardly ever disappoints. This collection has, once again, captured the world’s attention, not only for its playful take on conservatism vs. rebellion, but for its out-of-this-world accessories. Every girl donned a retro-inspired, puffed up Alice band (something I have never seen before), while others made a statement against the small glasses trend with enormous sunglasses that immediately create the impression of large, alien eyes. In other words, the show wowed.Â
Prada first knocked me off my feet with their Fall/Winter 2015 show, a pastel, retro-futuristic dreamworld that begged us to consider the difference between natural and artificial beauty. Prada has a flair for the dramatic, and turning tastes and conventions on their head, which is exactly what made this collection so exciting. It mixed schoolgirl, cutesy aesthetic (translucent, glittering knee-high socks paired with fetished-up Mary Janes, and flipping, tie-dye, pleated skirts evoked a young femininity) with a rougher, edgier sense of rebellion. Sensible button-ups had holes cut at the chest, and the once-sweet Alice bands became embellished with punky metal studs. A sweet, innocent makeup look- harsh cut bangs and extremely pronounced lashes- reminded me of a Twiggy mixed with Rosemary’s baby, and complemented the rougher, edgier vibes of the show surprisingly well.
All in all, the show was a success, with tons of wearable pieces that fashion-lovers will be scrambling to get their hands on when the time comes. Some of the most noteworthy pieces were their sheer dresses (worn over bloomers at the show), the mock-neck satin tops with a dainty neck bow, the strappy, satin A-line mini dresses and the ubiquitous knee-high socks complete with their iconic triangular logo. My greatest hope, though, is that I see more of these headbands and sunglasses out in the real world. We need everyday fashion that takes risks and challenges conventions, fashion that asks questions and demands attention. Fashion that makes us stop scrolling through our feed and look.
Check out some of my favorite looks from the show below:
“What is this?” you may be asking- “Nothing to do with fashion, style, or runway? I can’t believe it!” Well, believe it! And welcome to the very first book review (one of may to come) to be posted on this site. First up: Ubik by Philip K Dick, one of the most highly acclaimed science fiction writers of all time.Â
Let me start by saying that science fiction is one of my all-time favorite genres. I’ve always loved to revel in the visions of the future conjured up inside of the writers’ minds. There are endless possibilities in creating a science fiction world, something that reminds me of how endless the possibilities of the future are for our own reality.Â
But speaking of science fiction world-building- wow, PKD is a true master of this art. I previously read one of his other novels, Do Androids Dream of Electric Sheep? (the novel that inspired the Blade Runner films) and was completely absorbed in the fantastical, yet totally believable and conceivable world he had created. I was met with the same luscious, totally addicting world-building in Ubik, a tale I would place into an entirely different vein than Do Androids Dream.
Ubik takes place in the distant future of 1992 (the book was written in 1969 lol) in a world where people have developed psychic powers and tells the story of Glen Runciter, Joe Chip and their company of “inertials,” or anti-telepaths that are employed to counter the telepathic powers of psychics who are paid to mine the general populace for trade secrets. When things take a turn for the worse for Glen Runciter and his band of eccentric inertials, stuff starts to get really weird, like Runciter’s face appearing on money and every cigarette in the world becoming so old and dry they crumble to pieces at the slightest touch. And here is where the story unfolds, in a reality where Glen Runciter, Joe Chip and crew are trying to figure out, along with the reader, just what the heck is actually going on.
Although I love science fiction, I’m always hesitant to pick up a new science fiction story because of all of the disappointments I’ve had with the genre in the past. I first heard about Ubik because it is on nearly every list of must-read science fictions, and even earned the title of one of Time‘s 100 greatest novels since 1923. Needless to say, I had high hopes for this one, but plenty of promising science fiction books get bogged down and suffer from a heavy-handed approach to world-building that shifts the focus of the story from plot and character to the world itself and how it operates. I get that part of the appeal of science fiction is the world, the technology and how society functions within it, but I’m a character gal, meaning I need a good set of characters to keep me invested.
This was not a problem with Ubik, or for any of Philip K Dick’s stories, really. PKD thrusts you directly into the world with little to no introduction or explanation of anything, preferring to let the world organically unfold around his characters of choice, something that makes the stories deeply enthralling and intriguing. He doesn’t hold your hand, or give long-winded, tell-rather-than-show histories. The world just is, and we’re left to figure things out on our own, which you can usually manage pretty quickly because the story is well-crafted enough that anyone can easily follow it after acclimating.
Now I would like to delve a little deeper into the meat and potatoes of the story so, if you haven’t read the book and would like to, STOP READING NOW! *SPOILERS AHEAD*
Proceed to the next page if you would like to continue reading.
I know you all are out there looking for all that juicy Spring/Summer 2019 coverage, but I just wanted to interrupt your regularly scheduled programming to let you all know I still can’t stop thinking about the Vivetta Fall/Winter 2018 collection. It’s. Just. So. Damn. Fun.Â
What originally drew me to this collection was its use of hand motifs (apparently one of Vivetta’s signatures) in super creative ways- from bedazzled vests and cutout sleeves to entire dresses made of them, I just couldn’t get enough! Plus, if you all have learned anything from the few posts I’ve already made, it’s that I adore bright colors, which Vivetta made spectacular use of in her whimsical designs.Â
But like I said before, this collection, above all, is just plain fun. And sometimes it’s important through all of the stresses we must endure in life to have some little ray of enjoyment. Because at the end of the day, for normal, working class people like me, high fashion is just another form of entertainment, a fantasy world to get lost in during my spare time. So it’s always nice to be newly delighted with collections like these that exist in celebration of femininity and joy.Â
A few of the most notable pieces include a mini, Swarovski-embellished hand dress, knee-high pink glitter boots, a bright orange puffer jacket cinched perfectly at the waist and a gauzy white dress with an appropriately placed red heart applique. I can’t wait to see what they do next!
Check out my favorite looks from the collection below:
Feature image from Grey Magazine. All other images from Vogue.com.
There are very few shows I see that make me think “wow, I need to write about that NOW.” But as soon as I saw the first look with the golden “broom” and whimsical, oversized witch hat, I was hooked.
I’ve been following Ryan Lo since 2014, when I stumbled across another one of his sugary, pink, fluffy and downright adorable collections. And, although I haven’t seen his last few collections (oops), I can confidently say that he’s only gotten better with time.Â
In his newest collection, Ryan Lo tackled the classic story of love… and witches. A magical combination of pastel princesses, knights and vibrant, cone-capped witches slowly made their way down the runway, giving onlookers enough time to appreciate each look in all their glorious, saccharine-sweet details.
We were treated to flowing gowns in retro-inspired floral prints, decadent loose-knit tops, dreamy hats and plenty of ruffles, bows, scallops and sheer layers to go around. Each dress was paired with a pair of boots or a pair of girly pumps with socks- eschewing the overwhelming trend in the past few seasons of pairing dresses with sneakers.Â
For Lo, and his aptly named “Saturn Returns” collection, it was all about love and happy endings. In fact, the bride (the last look of the show) was escorted down the runway by a literal knight in shining armor- what could be more romantic and dreamy than that? This collection, in all of its fantastical glory, succeeded in giving us all the happy ending we desired- one in which we can revel in collections like this and dream of a life where we might wear these very dresses and find our own knights in shining armor.
Check out my favorite looks from the collection below:
If asked what kind of child I was, my mother would probably say “imaginative” or something similar, as I quite literally had more imaginary friends than real friends (and hey, I like to think I turned out alright!). While some parents may have seen this as a cause for alarm, my parents encouraged me to put my wellspring of creativity to good use. So, I became a writer.
I only started with that anecdote to help explain why I fell into fashion in the first place. It started with magazines and editorials. Although I am normally an avid reader of all sorts of media, I’ve never been one to actually sit and read the various articles in a magazine. I’ve always been drawn directly to the shoots and editorials, my eyes hungry and ready to feast on the visual splendor of the newest fashion collections.Â
Runway shows were the obvious next step in my progressively increasing addiction to the art of fashion. Sure, I love the practical collections that will be sold at all of the big department stores and online retailers, but it’s the artsy, non-practical stuff that leaves non-fashion people asking “who would wear that?” that really gets my blood pumping.
The Rodarte Spring/Summer 2019 ready to wear collection managed to stimulate my fantasy brain, plunging me into a vibrant world of absolute decadence and sensory overload. Sheer dresses, crocheted shifts, metal armbands, floaty veils, giant ruffled shoulders, frilly tiered dresses, embroidered capes- and all in a rainy graveyard? I mean, the location alone is enough to inspire daydreams for days to come. My story-seeking brain was groomed, pampered and fully slaked with this richly textured and vibrant collection. The unexpected rain even added to the drama of the event, as the sound of the rain accented the soundtrack and models had to more carefully maneuver their environment.Â
As Maya Singer so aptly wrote in her review of the collection for Vogue.com,Â
No one is better at provoking daydreams than Rodarte—it’s impossible to watch one of their shows without fantasizing about the kind of life these looks demand, a life of endless decadence and romance. You could see them as the ghosts of possible selves.
And I could really only ever hope that one of my possible selves could wear clothes this hauntingly beautiful.
Check out my favorite looks from this collection below:
All photos in the above gallery were found on Vogue.com. Featured photo by Slaven Vlasic/Getty Images.
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