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Sometimes it takes losing something to realize just how much we loved it in the first place, which is what happened to me recently when I realized that Meadham Kirchhoff, a fashion brand known for their playful, whimsical, theatrical looks, no longer exists. I know what you’re thinking- If I was a true fan, then the fact that Meadham Kirchhoff is defunct would be old news (very old news) because they went out of business in 2015, but the fashion industry is so fast-paced and full of so many things happening and bombarding your attention every second of every day, that one or two brands may slip through your fingers and be lost in the swirling miasma of your memory (sorry Meadham Kirchhoff!).

All of this to say that I was very sad when I navigated to the Meadham Kirchhoff page on Vogue Runway, only to be met with the fact that their last show uploaded was from 2015. Ouch, oof, owie, my fashion bones.

meadham kirchhoff cute kawaii dramatic colorful fashion runway style girly the young eclectic spring summer 2012
One of my absolute favorite looks from Meadham Kirchoff from their Spring/Summer 2012 show- so soft in every way! (Photo: Vogue.com)

Way back in the heyday of my fashion Tumblr (remember when everyone had one of those?) Meadham Kirchhoff’s girly, fantastical, wonderfully-vibrant designs were something I never failed to reblog, wanting to immortalize their lovely clothes forever in my internet scrapbook. And it’s pretty obvious why- this brand is everything I love about fashion.

For one, Meadham Kirchhoff makes pieces that are extremely fun, including fur jackets with cherry motifs patchworked together from different colors of fur; black, Victorian-inspired coats fit for a funeral; dainty, frilly dresses that emulate the look of a cake that might have been seen in Sophia Coppola’s “Marie Antoinette;” and plenty of pastels to satisfy the whims of my girly-girl heart. Meadham Kirchhoff didn’t care about what sold, or what the fashion industry called for, they went against the grain and created looks that appealed to their own artistic sensibilities- and each of their collections came with a message, too.

Of course, one of my biggest passions is expounding on the idea that fashion is an art, and that more people should appreciate it as such, so, perhaps the thing I’ll miss most about this iconic brand is the way that Meadham Kirchhoff presented their collections. There was almost always some sort of show to drive home the central theme of the collections. One of their most iconic showings saw a clique of Courtney Love lookalikes applying lipstick and dancing across the runway, while models stepped off of a giant cake, as though they were smiling, plastic cake toppers come to life. In another, the lights were brought down low, and models tromped down the runway in their vibrant, jubilant clothes to the sound of disco music accented with swirling, colored spotlights that made you want to party. In another show that riffed off the trope of uniforms and uniformity, an army of models quickly traversed the runway that was decorated with displays that you might see at those haunting spots along roads and highways where somebody suffered a fatal car crash.

What does it all mean? Sometimes, it’s a jubilant show of youth and rebellion, of shirking the expected in the name of theatricality and art- while sometimes, it means nothing at all. That’s the fun of Meadham Kirchhoff – things that seem layered in meaning are intentionally meaningless, where the small, intricate, and unforgettable details create characters and tell stories that you’ll never forget. I only wish their brand could have survived to show us more of their joyous world.

Check out some of my favorite looks from all of their collections below:

April is already nearly a third of a way through, which means I’m having a crisis because time is moving too fast, but it also means that SPRING HAS SPRUNG. And that means the weather is, regrettably, warming up, and we all need to pull out our spring wardrobes and dust them off again.

spring is the perfect time to wear dresses because dresses can be easily layered with sweaters or jackets to stave off the chill on cooler days, but also work great on their own for warmer weather. For the past few seasons, it seems like the ~*prairie girl chic*~ style has reigned supreme as the casual dress trend of choice, led by Batsheva and her army of feminine, fresh, farmer girls in pretty, puff-sleeved creations that have inspired me to add more puff sleeves to my own wardrobe.

If you want to add some puff-sleeved whimsicality to your own spring styles, check out all of my favorite puff-sleeved dresses available for purchase now:

Frilly Femininity

Look like a lovely, vintage dolly in this frilly dress with puff sleeves, eyelet details around the collar and puff sleeves, and a flouncy, tiered skirt that will have you falling in love!

free people nanette dress puff sleeves spring 2019 prairie victorian vintage fashion style the young eclectic

Free People Nanette Dress – $325

Plaid Puffy Party

Plaid is currently a huge part of my wardrobe (keep your eyes peeled for an upcoming plaid-themed editorial!) so I was instantly attracted to this vividly-colorful, long dress with the subtlest of puffed sleeves. Paired with sneakers, it’s a great spring look!

asos neon rose maxi tea dress with puff sleeves in bold check spring 2019 prairie vintage fashion style the young eclectic

Asos Rose Maxi Tea Dress – $67

Sweet, Pink Denim

You wouldn’t think that vintage, prairie details would look good rendered in a more modern material like denim, but I think this dress manages to pull it off well, making the dress look more structured and substantial. Not to mention, denim has been a lifelong obsession of mine, so of course I couldn’t leave this one off the list!

ulla johnson wilona puff sleeve denim dress spring 2019 prarie fashion style the young eclectic

Ulla Johnson Wilona Puff Sleeve Denim Dress via Nordstrom – $375

Artsy & Architectural

It’s no secret that I love a good, crisp white shirt or dress, so this one with the simple V-neckline and ruched, balloon, puff sleeves definitely appeals to my simple fashion sensibilities. The crispness of it really gives it an architectural, art-student vibe I love!

zara poplin dress with balloon sleeves puff spring 2019 prairie style fashion the young eclectic

Zara Poplin Dress with Balloon Sleeves – $49.90

Love In Knit

This knitted masterpiece features a high neckline, charming, ruffled bib and some long, puff sleeves for a truly marvelous look that I would love to rock on a first date. Even the deep, red color is giving major romantic vibes!

reformation chapel dress puf sleeves spring 2019 cute prairie style fashion the young eclectic

Reformation Chapel Dress – $118

Vintage, Bohemian Babe

The simplicity of this linen dress with wooden buttons down the front is astounding and also very alluring. In this dress, it looks like you should be in the mountains of Austria, singing about how the hills are alive with the sound of music. Julie Andrews-level singing ability not included, unfortunately.

free people jayma midi dress puff sleeves spring 2019 prairie cute fashion style the young eclectic

Free People Jayma Midi Dress – $108

Chic Simplicity

A good, white dress is necessary to get you through the endless days of spring and summer. Not only will the light color help to keep you cool, but it’s also a fashionable choice that you can never go wrong with. It will also match pretty much any accessories you choose, so there’s no losing with this one!

zara puffy sleeved dress puff sleeves spring 2019 prairie cute fashion style the young eclectic

Zara Puffy Sleeved Dress – $69.90

Prairie Princess

This midi dress charmed the pants straight off me, with its sweet, floral print, high neck, and Victorian-style, long, poofy sleeves. This dress feels like it materialized straight from an old romance novel and I can’t get enough! The back is also open, which gives the dress a bit more sex appeal, for those of you who don’t just want to look like a character from a Laura Ingalls Wilder novel.

reformation abigale dress puff sleeves spring 2019 prarie cute style fashion the young eclectic

Reformation Abigale Dress – $218

Prim & Proper

All of the little, sheer portions of this prim, white dress give it a bit of modern flair, while the relaxed silhouette and full sleeves channel our favorite vintage, prairie style that is perfect for spring!

sea poppy pintuck puff sleeve midi dress spring 2019 vintage prairie fashion style the young eclectic

SEA Poppy Pintuck Puff Sleeve Dress via Nordstrom – $485

Tangerine Dream

This sheer, bright orange dress was so much fun for my eyes that I had to include it on the list, even though it’s almost sold out. The entire bodice is sheer, creating a ton of fun opportunities for innovative, eclectic layering (psst- keep a lookout for my upcoming editorial on creative layering!) which I’m pretty much obsessed with right now. Fun, playful layering is such a big trend for spring, a dress like this one would be perfect!

hannah kristina metz dress bando puff sleeves spring 2019 prairie cute orange style fashion the young eclectic

Hannah Kristina Metz Blythe Dress via Ban.do – $99.95

I hope you liked this quick roundup of some super cute, spring dresses you can incorporate into your warm weather wardrobes! Keep your eyes peeled for more upcoming editorials and let me know if you like these types of articles, so I can do more of them!

If you’ve been keeping up with this website for a while now, then you might have realized that I am a lover of insane amounts of color to the point of almost assaulting the eye. Why? Because it’s fun. But color isn’t always required for a collection to possess a spirit of whimsy and playfulness, things that Cecilie Bahnsen’s Fall 2019 collection has plenty of.

cecilie bahnsen fall 2019 fashion runway monochromatic whimsical style copenhagen week the young eclectic
Three things I love about this look: 1. The daintiness and poofiness of the dress. 2. The wispy, mock neck top layered underneath. 3. The seemingly-out-of-place sneakers. (Photo: Vogue.com)

Unlike most of the other collections I’ve covered on this site, Cecilie Bahnsen Fall 2019 has almost no color at all, settling for a subdued, monochromatic palette of blacks, whites, and the subtlest of yellows. But just because there is a dearth of color doesn’t mean the collection lacks imagination. In fact, it managed to capture mine with its innocent, childlike, oversized silhouettes and also charmed me with all of its girlish details like quilted fabrics, layered knits, and plenty of puffed sleeves to make you feel like a fairy tale. I liked this collection so much, I actually had trouble trying to find looks NOT to include in this article- and it was tough!

Cecilie Bahnsen, a mild-mannered and sweet woman who creates equally mild and sweet designs, wanted to add a bit of darkness to her usually-innocent looks this season and did so in ways most wouldn’t expect. While these floaty designs still retain all of the freshness and femininity Bahnsen delivers with her aesthetic, her babydoll dresses were made edgy with sharp detailing and a harsher combination of textures like crochet and ribbing. The models also marched down the runway in heavy trainers that contrasted well with the floatiness of their dress (which I now have to try in my own outfits- they just looked so freaking cool!)

One of my favorite looks from this collection was a poofy, tiered, white dress with a square neckline and a light-as-air, wispy mock neck top layered underneath. It’s those little details that really brings looks to life, and I take a lot of inspiration from them when I style my own outfits. I can definitely say with confidence that the fashion forecast for this Spring calls for a lot of puff sleeves, voluminous dresses, and innovative layering.

This is the first and only collection I have seen from Cecilie Bahnsen, and if this is her trying to add a bit of roughness to her dainty dresses, then I’m certainly excited to see what else she’s created, since I’m a fan of the girly, oversized look.

Check out some of my favorite looks from the show below:

Photos in featured image from CecilieBahnsen.com, all other photos from Vogue.com.

If you’re a follower of fashion, then you’ve probably already heard that the theme of this year’s Met Gala (fashion’s biggest event) and subsequent Met costume exhibit is “Camp: Notes On Fashion,” which will explore the concept of “camp” sensibility in fashion and culture through the lens of Susan Sontag’s 1964 essay “Notes On ‘Camp'”. If you’re like me, then you might be scratching your head and wondering “what is camp anyways?” Because, while I have heard the term before, I’ve never had a firm grasp on what it actually means. So, let’s break it down.

The origin of camp sensibility can be traced all the way back to the time of King Louis XVI, who lived in the overly-extravagant Versailles and was constantly surrounded by Parisian nobility dressed in highly-decorated, over-the-top garb that was almost funny in how insanely indulgent it was. Here, in the insanely extravagant, is where the impetus of camp sensibility lies. It’s all about pose and performance, creating a character and accentuating artifice. In the words of Susan Sontag:

The essence of Camp is its love of the unnatural: of artifice and exaggeration.

Susan Sontag, “Notes On ‘Camp'” (1964)
Balenciaga Crocs, which took the fashion world by storm with equal parts fascination and revulsion, are the perfect example of “camp” style. (Photo: Harper’s Bazaar UK)

In other words, fashion that exemplifies camp is outlandish, exaggerated, fantastic, passionate and naive. It is “art that proposes itself seriously, but cannot be taken altogether seriously because it is ‘too much.'” Imagine a pair of Balenciaga platform Crocs, or Lady Gaga in a meat dress. These are both delightful examples of campy fashion that are presented with seriousness, but fail to be taken seriously. In the words of Sontag, camp style is good because it is awful (in a fun way).


Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn’t reverse things. It doesn’t argue that the good is bad, or the bad is good. What it does is to offer for art (and life) a different — a supplementary — set of standards.

Susan Sontag, “Notes On ‘Camp'” (1964)

To live a life dedicated to camp, is to live a life of theater- which is why Lady Gaga, a fabricated pop persona, being one of the co-chairs of the Met Gala seems entirely appropriate and expected. Other co-chairs include Alessandro Michele, the creative director of a delightfully-campy Gucci, Serena Williams, who often wears over-the-top outfits for her tennis matches, and Harry Styles. If you’re curious to see how all of your favorite stars will interpret this theme, the Met Gala will take place on May 6.

In a delightfully camp Gucci collection by Alessandro Michele, a model cradles a realistic dragon as an accessory to their fantastic, medieval-inspired outfit. (Photo by Pietro D’aprano/Getty Images)

I absolutely adore camp sensibility, because I’m all about creating fantasy with fashion, which goes hand-in-hand with the idea of artifice and exaggeration that is the hallmark of camp. I’ve put together a few fun, over-the-top outfits that I thought were good examples of camp. Check them out below:

Happy Death Day

While wearing this outfit, I imagined myself a spurned widow at the funeral of her stupidly-rich husband that has left her everything- she’s happy, yet must pretend to be sad. The fake, purple roses only serve to add an artificially vivid touch to this mournful ensemble.

“Happy” Shirt: Forever21. Dress: H&M. Belt: Urban Outfitters. Shoes: DSW.

Loving Something Sweet

The goal of this outfit was to create something that was both sweet and also edgy, which is why I layered a sheer, tulle dress over a pair of overalls and finished it all off with a pair of neon green “ugly” sneakers and a gaudy, pink cowboy hat adorned with flowers. My stuffed alpaca, Sherbet, was the perfect, overly-sweet accessory to bring the whole look together.

Tulle Dress and Grey Shirt: Forever21. Overalls: Thrifted from a friend. Sneakers: New Balance. Hat: LadyGaga.com. Flower Crown (embellishing hat): Made by me.

50 Shades of Denim

I am a connoisseur of denim and own just about any garment you can get in this magical material. For this outfit, I decided to create a look entirely of denim (except shoes) that featured a denim shirt layered under an oversized denim dress, denim culottes and a denim jacket. The platform clogs and headscarf were just details to add a bit more fun to this entirely impractical, but equally enjoyable look.

Shirt: Thrifted from Goodwill. Dress: Urban Outfitters. Culottes: Oak + Fort. Jacket: Levis. Platforms: Thrifted from Buffalo Exchange. Scarf: Thrifted from an antique shop.

I hope you learned a bit about camp and also had some fun along the way! I honestly can’t wait to see what crazy outfits everyone puts together at the Met Gala this year. Stay tuned for my article!

What should my next shoot be? Leave a comment if you have any ideas!

Marta Rios loves color, so much that she doesn’t even own any (!) black clothes, or anything that could be considered neutral because she insists that wearing color will not only make you happier, but will also improve the moods of everyone around you. In other words, Marta Rios wants us to live our lives boldly and she asserts this point with her ridiculously colorful and playfully-proportioned clothing line Atelier Mimii.

Featuring oversized, quilted dresses that come in all kinds of vibrant colors paired with all manner of ruffles and unique, art-inspired embellishments, Atelier Mimii is not for the faint of heart. In fact, these dresses are so fantastically over-the-top, that I would go as far as to classify them not as clothing, but as wearable art pieces that will transform you into a modern masterpiece to be admired. But the point of Atelier Mimii is that it is clothing and it’s meant to make our day-to-day lives much more fun and whimsical.

In fact, Marta Rios is so dedicated to making clothes that make her happy, that she never makes anything to show or accentuate the shape of the body, preferring to show off the colors and lush details, including Victorian-inspired full sleeves and collars, quilted & pearl-covered corsets that hearken back to what Spanish courtiers wore in the 16th century, and plenty of tulle. And when all is said and done, the dresses cut and sewn, Rios saves the scraps to make one-of-a-kind, handmade quilted bags to match.

I’ve been obsessed with oversized, maximalist clothing, so the Atelier Mimii aesthetic really appeals to my current style truth. My favorite look might be the yellow set with the long-sleeved shirt and shorts- so cute!

Check out some of my favorite looks from Atelier Mimii below:

Photos from NowFashion.com and Vogue.com

It seems like women that are both whimsically pretty and powerfully strong are a pervasive theme in the Fall 2019 season. Shrimps, the faux fur brand, contributed with a collection of frilly frocks inspired by Athena and her gang of pretty nymphs, who all came walking out of a huge neoclassical fresco, as though they were being conjured straight out of the mythological world before our very eyes.

The bright, printed, satin dresses with puff sleeves and fitted bodices channeled the over-the-top styles of the ’80s and conjured up visions of Athena and her leading ladies attending prom in gowns that are appropriately fantastic. And while the color palette of the collection started off as subdued neutrals, the color story developed into one that included vibrant yellows, bright orange touches, and even a checkered pattern that they added to jackets, bags, and tights. One of my personal favorite pieces was a black dress interspersed with sheer, orange, lace panels that, for some reason, made me think of a flamenco dancer.

And, of course, the coats were fab- rendered in a feathery texture and made in epic proportions, they will make anyone a fan of the statement coat. I especially adored the one that featured a playful, mythological print that Shrimps designer Hannah Weiland made herself, transforming the grey and white color scheme into something beautifully dreamy. All of this to say, I wish I lived somewhere cold enough to justify adding one of these jackets to my wardrobe, but, alas, not even Athena is powerful enough to defeat the Texas heat.

Check out some of my favorite looks from the collection below:

Cover photo from WWD.com, all other photos from Vogue.com

If you follow fashion, and you haven’t heard of Tomo Koizumi at this point, then you’re a unicorn. The Japanese designer debuted his boisterously joyous, vibrant, ruffled organza gowns on the fashion industry’s biggest faces in his first runway show that took place in the Marc Jacobs store in New York during fashion week.

The dreamy, absolutely bogusly-huge dresses were a refreshing change to the normally consumer-focused, fairly serious nature of New York Fashion Week. I was instantly taken by the sheer youth and femininity of the collection, which oozed all of the charm and fantasies of the Kawaii aesthetic of his native country. Koizumi even cites the internationally beloved anime Sailor Moon as being an inspiration for his dresses, which are supposed to act as a sort of armor, or proof of the idea that a woman can be cute AND strong. It makes me wonder why we view powerful women like men, in bland suits and plain makeup. Why can’t a powerful woman wear a rainbow-hued, ruffled dress? These are questions that are yet to be answered.

tomo koizumi fall winter 2019 nyfw new york marc jacobs style runway ruffles pastel kawaii cute dresses the young eclectic
One of my favorite looks from the collection, this adorable, ruffled gown looks like a traditional Japanese kimono from an alternate reality where everything is whimsical and kawaii. (Photo: Vogue)

But the real topic this show truly brought to mind for me, is the pressure of the debut. While Koizumi had already found some success with his ruffled creations in the kawaii-centric Japan dressing celebrities and pop stars in his signature sugary, architectural designs, he was by no means well-known worldwide- until he caught the attention of famous stylist Katie Grand, who had all of the connections in the fashion world needed to put on such an incredible show. His first show was a tremendous success, launching him to fashion stardom instantly. This vision of the debut just strikes me as unfair, and definitely outside of reality.

I’m not trying to disparage Koizumi or his work- I think it’s all gorgeous and deserves recognition for how unique and playful it is (my favorite piece was one that resembled a ruffle-fied traditional kimono) and I’m glad he was given this stage, so that I could be inspired by his work. I just think that it more cements the idea that the debut, whether it be a fashion show, an acting role, a novel, an academic paper, or any other kind of work, has to be some kind of earth-shaking event that causes the world to see you. And if your debut isn’t like that, then maybe you’re not as good at something as you thought. The fear of the debut flop might even cause some people to not try in the first place.

To put this in a more personal light, I am someone who grew up being told they were “gifted” (ugh) all the time, so I thought that I could be naturally good at anything I set my mind to, and that just simply isn’t true. This ingrained belief causes me to give up on things immediately if I’m not automatically good at them, making it so I never really step outside of my comfort zone and try new things. To put it simply, I am limited by a fear of failure and ridicule, one that continually causes me not to put my work out there. The reality is, most people will not have a spectacular debut, because it is your debut. Firsts are never perfect, and should only serve as a jumping off point to improve your craft and keep trying. If you keep at it, someday the world will take notice. I just wish I could practice what I preach!

Check out some of my favorite looks from the show below:

Cover photo from WWD.com, all other photos from Vogue.com

Love is in the air for Fall 2019, so much so that Valentino even created a book of love poems to give to the guests of their show, which aligned with the light, airy, dramatic, lovey-dovey atmosphere of their latest collection. Sarah Burton’s Fall 2019 collection for Alexander McQueen still brought us love, but in a much different way, by incorporating more intense elements, like hard metals, stark blacks and whites, and even a furious, passionate red that pulsed through the collection, creating a darkly-romantic vibe.

alexander mcqueen fall 2019 runway fashion style love romantic the young eclectic
The iconic dress embellished with heddles, or pieces from looms, which mimic the sound of a fabric factory floor when they move and clink together. (Image: Vogue.com)

And while the fluffy silhouettes of some of the more flouncy dresses, as well as the repetition of rose imagery throughout prints and couture-esque, sculpted gowns where volumes of fabric gather to create the visage of a rose in bloom (one of my favorite pieces being the impeccably-tailored suit with silk sleeves that culminate in a gorgeous floral whirl at the shoulders) create the notion of a romantic love, this whole collection was really Sarah Burton’s love letter to the textile industry of the northern UK. While the audience sat atop bolts of fabric, they watched extremely English, exquisitely-tailored suits traipse down the runway, as well as other dresses inspired by everything from suffragettes and their prim, white attire, to the Victorian frills of the Bronte sisters. Everything in the collection served to lift up the culture of her home.

In true McQueen fashion, there was one dress that really served as an art piece more than a garment- a dazzling silver dress embellished with heddles, which are pieces from looms used to weave fabrics. As the dress moves and the heddles glimmer and clink together, the sound is meant to mimic the sound of the factory floor where the fabrics of England are manufactured. And if that isn’t the coolest fashion-related thing you’ve heard all day, then I don’t know how to help you.

To say the very least and most, Lee Alexander McQueen would be proud.

Check out my favorite looks from the collection below:

All photos from Vogue.com

Rodarte never fails to charm me with its insistence on girlish whimsy and dangerous levels of sweetness- and the Mulleavy sisters have done it again- achieved a collection that is all at once fun, vibrant, frilly, and fantastical to capture every inch of the human imagination. While their latest collection is rife with Rodarte’s usual bows, ruffles, light pinks, and wispy lightness (physically and thematically), black leather (albeit ruffled and pleated and fun in its own right) provided a juxtaposing darkness to the looks that only served to uplift the bright, happy vibes of the rest of the collection.

Inspired by classic musicals and their leading ladies from the ’30s to the ’70s, this collection was nothing short of theatrical with its oversized shoulders, fresh, floral headpieces, logoed belts and earrings, and kitschy, clear plastic heels that remind me of something I might have slipped onto my Barbie’s unrealistically-dainty foot.

Come to think of it, this whole collection seems like a perfect choice to outfit a battalion of dolls, which is exactly the kind of fashion I love. Something unique and sweet that nobody would consider wearing out into the actual world. Well, maybe it’s time we make the world a better place with fashion choices that make us feel more alive.

Check out my favorite looks from the show below:

All images from Vogue.com

Since February has nearly met its end, that means we have all survived another awards season, culminating in the Oscars- one of the most loved and reviled television events of the year. While most people will casually look up the results of the show later to chat about them in the office, I feel like not that many people excitedly tune into the show anymore. Perhaps it’s because of how stinking regressive it all is (I mean, have you seen that graphic going around that has the amount of lines spoken by female actors vs. male actors in Best Picture winning films? It’s staggering!). Or perhaps it’s because the show is just. so. long. and if we’re being honest with ourselves, we probably only care about like the top 4 awards anyways, so it isn’t worth sitting through the rest of the dog and pony show.

Anyways, this post isn’t about how much nobody cares about the Oscars. It’s about the FASHUN people- did you forget what website you were on? It’s red carpet judgment time and my takes are coming in hot.

Honestly, the red carpet looks were pretty dang good this time. I liked most of them, surprisingly! I feel like people really amped up their fashion choices here and everything started to look a little less prom-y (thank goodness!). Plus, it’s always fun to see the latest couture looks find their way into the real world. Read on to see my favorite and least favorite looks from the evening.

HOTS

Kacey Musgraves in Giambattista Valli Couture

Pink taffeta/tulle has been having a huge moment in fashion lately, and if you know anything about my style proclivities, you can probably predict that I freaking love it! This one is just so fluffy and whimsical- I adore the statement shoulders!

oscars 2019 red carpet fashion couture kacey musgraves giambattista valli the young eclectic

Rachel Weisz in Givenchy Couture

Latex??? On the red carpet? I’m here for it! I love Weisz’s neutral makeup and simple hair, too, because it really lets the red dress speak its own language. I’ll sum up my opinion like this: I would wear it.

oscars 2019 red carpet fashion couture style the young eclectic rachel weisz givenchy

Tessa Thompson in Chanel

The simplicity of this look is so charming and it looks so good on her! The sleekness of the black with the gold details is so dreamy, and I love the peplum on the hips and hemline!

oscars 2019 red carpet fashion couture style the young eclectic tessa thompson chanel

Lady Gaga in Alexander McQueen

First of all, it’s Lady Gaga, and when have I ever not approved of her look? The minimalism of this allows her to shine through in all of her Lady Gaga-ness. And those structured, architectural hips? Just incredible. I love it. *Italian chef kiss*

oscars 2019 red carpet fashion couture style the young eclectic lady gaga alexander mcqueen

Gemma Chan in Valentino Couture

Another major pink dress moment that I am practically salivating over. The ruffled color! The full, dramatic silhouette! The pockets! The cookies Chan brought in her pockets! (Yes, she really brought cookies with her!) – All amazing.

oscars 2019 red carpet fashion couture style the young eclectic gemma chan valentino

Elsie Fisher in Thom Browne

Wow, Elsie is really slaying me with this look. I’m 100% here for women wearing suits on the red carpet- it’s just so damn chic! And look at those shiny boots and that necklace/tie/collar under the collar! It’s all so good, it makes me want to be her BFF so she can share all of her style secrets with me!

oscars 2019 red carpet fashion couture style the young eclectic elsie fisher thom browne

Billy Porter in Christian Siriano

So you thought I would write an article about the Oscars red carpet without mentioning Billy Porter’s fabulous, gender-bending ballgown, huh? Well you thought wrong! It just blows my mind when people push the envelope and work to change what is considered the “norm,” which is basically arbitrary anyways. Bravo, Billy! Keep being you!

oscars 2019 red carpet fashion couture style the young eclectic billy porter

NOTS

Emilia Clarke in Balmain

The glitz and soft pink/purple color of this pretty dress are not what I have an issue with- it’s the unflattering way the dress is draped in the abdomen area that ruins the whole look. It’s honestly a little tragic 🙁

oscars 2019 red carpet fashion couture style the young eclectic emilia clarke balmain

Tina Fey in Vera Wang

I love Tina Fey, but this dress is just too plain for the red carpet. Like my main complaint with most of my least favorite looks, it just reminds me of a prom dress. There isn’t anything fantastic and showstopping about it, and if the Oscars red carpet isn’t the place to be as extra as possible, I don’t know where is.

oscars 2019 red carpet fashion couture style the young eclectic tina fey vera wang

Maya Rudolph in ???

So, I know you must be thinking “Why is this look in the ‘Nots’ when this is another frilly, pink dress?” Well, there is something here that just isn’t working for me. It may be the dated floral print, or the half-hearted ruffles. Or maybe it’s the cape that seems a little out of place. I’m just not sure.

oscars 2019 red carpet fashion couture style the young eclectic maya rudolph

Lucy Boynton in ???

Lucy Boynton has been killing the red carpets this award season with so many fun and whimsical looks that made her seem like even MORE of a gorgeous, ethereal, otherworldy goddess than she normally is. This dress is just bland. It’s fine, but when compared to her other looks, it just falls short.

oscars 2019 red carpet fashion couture style the young eclectic lucy boynton

That’s all, folks! Were you satisfied with the results of the Oscars this year? I’m just glad that Lady Gaga won an award, no matter how small and insignificant of an award it was! Award season is over now, so if you’re a fan of this series, you’ll have to wait a while for the next one. Stay tuned for other content, though!

All images in this article belong to Getty.